Browsed by
Category: Reflections

Feature articles on theater today.

“Why I Died, a Comedy!” Internalizes Humor, at PlayGround, S.F.

“Why I Died, a Comedy!” Internalizes Humor, at PlayGround, S.F.

Millennial Notes Katie Rubin makes Spirituality Funny by Tyler Jeffreys “Why I Died, a Comedy!” takes us on the spiritual journey of director, comedian, writer, and actress Katie Rubin. Rubin sees herself die, and begins life anew, with her ego at bay.Now, she is Love, coming from deep down.According to Rubin, Love connects us all. Katiek Rubin makes the abstract concept real, with a gripping comedic flare. She skillfully portrays characters who narrate the story of her ego’s death. There’s…

Read More Read More

“Not A Genuine Black Man”: Wit and Warmth, at The Marsh, S.F.

“Not A Genuine Black Man”: Wit and Warmth, at The Marsh, S.F.

Millennial Notes Brian Copeland: A Genuine Black Genius by Wes Adrianson and Barry David Horwitz With the recent bigoted demonstrations in Charlottesville, anti-Black racism and white nationalism has reached a new peak. Racism has always existed in America—but the current President has charged the bigotry with new energy. Black and white identities are under a heightened collective awareness. Brian Copeland’s “Not A Genuine Black Man” reminds us of our nation’s history through Copeland’s personal history. Copeland weaves together anecdotes about…

Read More Read More

“An Octoroon” Provokes Reflection at Berkeley Rep

“An Octoroon” Provokes Reflection at Berkeley Rep

Reflections Millennial Notes Jacobs-Jenkins Reveals: The United States Is an “Octoroon” by Ishai Padawer In the early moments of “An Octoroon,” the 2014 play by Branden Jacobs-Jenkins, we learn that an “octoroon” is a person who is 1/8th black. The playwright playfully calls his lead character “BJJ,” using him to vent that audiences think he is trying to “deconstruct race in America.” Complain he may, but he succeeds in making us think about the correlation between melanin levels and how…

Read More Read More