Kathryn Seabron Reveals the Rise of MYSOGYNOIR by Robert M. Gardner Kathryn Seabron’s unique solo show is rooted in an incident she had with the Human Resources Officer at the non-profit where she worked. Ultimately, we learn that a fellow white, female worker has brought a funny and frivolous complaint against Seabron. When we…
Robert Townsend Delivers Tales & Truths, Honestly by Robert M. Gardner When co-producer Don Reed steps forward to introduce Robert Townsend, enthusiasm for the show immediately energizes us. For 90 joyful minutes, Townsend astounds, confides, and reveals the challenges and triumphs of a remarkable life in show business. The common note through his…
Marcus Gardley Celebrates Her-Story from Africa to Oakland by Robert M. Gardner Marcus Gardley has written a great play celebrating Black community and sisterhood from Africa to Louisiana to Oakland. “A Thousand Ships” evoked a thunderous welcome on Sunday at Oakland Theater Project as heroic Black women looked on from framed photos. Randy…
Leah Nanako Winkler’s Muse Speaks Out Frankly on Sex by Robert M. Gardner “Thirty-Six” recalls our own experiences with awkward first dates, right down to the moment a partner farts without shame. Director Michelle Talgarow unveils the script’s audacity and obscenity with skill and taste. Despite the sexual talk, there’s no bare skin—our imaginations…