Shakespeare Gets Dangerous in Women’s Prison Setting by Kim Waldron “Mischief, thou art afoot,” and it’s thrilling. In Director Phyllida Lloyd’s “Julius Caesar,” the actors appear as inmates in a women’s jail, fighting to mount their production under prison authority. First, a young woman shyly explains how she ended up in jail; then the…
Millennial Notes Elizabeth Carter Creates A Female-Centric World by Abby Tozer With a woman in the title role and three bi-racial daughters vying for the throne, Director Elizabeth Carter’s “King Lear” progressively challenges Shakespeare’s roles. Animating a remote cast of 13 actors, Carter carves a new path for virtual theater, putting live actors in…
Millennial Notes Shakespeare’s Classic Finds Sympathetic Killer & Sadistic Hero by Julian Auston The Stratford Festival of Canada brings us an innovative “Hamlet” that flips the play’s essentials. Claudius, the repentant murderer, evokes our sympathy; while Hamlet, his ambitious heir, startles with his vengefulness, as a slew of courtiers are mangled by their conflict….
Millennial Notes Declan Donnellan Invokes Love and Fear in Shakespeare by Julian Auston “The Winter’s Tale” remains my favorite play for its extravagant emotions. Could it be Leontes’ angry misguided jealousy aimed at his friend? Or, the bittersweet ending of his wife’s brief resurrection? Or, maybe it’s the unbridled joy of a random bear…