Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“The Tin Woman” Really Finds Her Heart, at Ross Valley Players

“The Tin Woman” Really Finds Her Heart, at Ross Valley Players

May 24, 2018 Mitchell Field

Sean Grennan Leaves Us Laughing & Crying

by Mitchell Field

Just home from wonderful opening night of “The Tin Woman,” a superbly produced tragi-comedy at Ross Valley Players.

You’ll laugh, you’ll cry at this well-written, well-cast play, the title of which is a riff on the Tin Man in The Wizard of Oz.  But this titular woman, the sadly mis-named Joy (convincing Joanna Cretella), actually has a heart. But her heart is a transplanted one from a handsome, sushi-loving deceased photographer named Jack (suave, spiritual Jesse Lumb). And she has doubts about whether she deserves this second chance at life.

Jack’s family in “The Tin Woman.” Photos by Robin Jackson

Jack, Joy’s heart donor, appears as an engaging ghost to the audience, striding delightfully around the stage. But Joy and the other characters cannot see him. Can he save her again, this time from his dysfunctional family? And from her own anxious, neurotic self?

Jack’s father, the hangdog Hank (spot-on, persuasive Keith Jefferds) is wonderful as the curdled-by-life Dad. Hank is ably supported by his long-suffering wife Alice (stalwart stage-charmer Ellen Brooks).

Jack’s family in mourning

Jack’s hysterical, (in every sense) sister Sammy (funny Isabelle Grim) is afflicted by “swimmer’s ear.” And in dual roles as the Nurse and as Joy’s oversexed pal Daria, the delightful Sumi Narendran Cardinale provides broad comedy. In “The Tin Woman,” many of the funny lines are also excruciatingly personal and painful.

Playwright Sean Grennan mashes-up quirky modern playwright Lauren Gunderson with bits of crusty Arthur Miller. Gunderson’s “I and You” takes in “A View from the Bridge.”

Jack’s ghost and Joy’s revelations

Michael Barr sensitively directs an excellent cast, and a first-rate Tech Crew. Check out set-designer Ron Krempetz’ spare, yet subtle, fabric-covered set. Krempetz says he was “tired of painting.”  What a treat to see some fresh furniture on RVP’s stage—a perfectly chosen Mid-Century dining-room suite, which could come from your neighbor’s Eichler home.

We feel right at home with Grennan’s funny, perceptive new-style comedy, as “The Tin Woman” figures out how her heart works.  Don’t miss this one!

Daria makes it happen.

“The Tin Woman” by Sean Grennan, directed by Michael Barr, at Ross Valley Players, Ross, California, through Sunday, June 10, 2018. Info: rossvalleyplayers.com

Cast: Joanna Cretella, Ellen Brooks, Keith Jefferds, Isabelle Grimm, Jesse Lumb, and Sumi Narendran Cardinale.

Sign up to receive awesome content in your inbox.

Check your inbox or spam folder to confirm your subscription.


Plays
anxiety, comedy, Family, ghost, heart transplant, hope, melancholy

Post navigation

NEXT
“Scapegoat”—Comic Artist Soars Close to Sun, at Playground Festival, S.F.
PREVIOUS
“Two Minds” Meld, then Clash, Brilliantly, at The Marsh, S.F.
Comments are closed.

Current Shows

  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh
  • “Drapetomania” ‘Disease’ of Freedom Calls Us to Action—at The Marsh, Berkeley
  • “La Cage aux Folles” Liberates True Love in Classic Drag—at The Rhino
  • “Shakespeare Over My Shoulder” The Bard on Tap—at African-American Shakes
  • “The Grown-Ups” Conjures Summer Camp, Exposes Our Lies—at Lunatico
  • “Cyrano” Exposes Limits of ‘Pretty Privilege’—at Berkeley Shakes
  • “The Gods of Comedy” Showers Us with Jokes & Fun—at Masquers
  • “Takes All Kinds” Celebrates America with Awesome Acting—at The Marsh
  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT
  • “Come From Away” A Layover Arouses Humanity—at TheatreWorks
  • “How to Make an American Son” Hard-Working Dad vs. His Privileged Son—at NCTC
  • “Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP
  • “The Monsters” An Intense Sibling Love Story—at Berkeley Rep
  • “Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse
  • “The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Subscribe for upcoming reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.