Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“Up for Air!” Breezes into SF—at Flying Actor Studio

“Up for Air!” Breezes into SF—at Flying Actor Studio

February 19, 2023 Kim Waldron

Donlon & Pitt Serve Smorgasbord of Clowning & Mime

by Kim Waldron

Mimes and clowns on a bare stage—This is live theater, not your 3,264th Netflix movie.

Flying Actor Studio founders James Donlon and Leonard Pitt host an evening of foolery at Stage Werx Theatre. These old pros showcase their past hits, and Donlon debuts his new skit “Zoo Planet,” my favorite of the evening. Have you, too, noticed how so many folks in S.F. resemble animals?

In a short video, beloved San Francisco clown Geoff Hoyle explores with wide eyed concern with the camera filming him, which turns into a very meta examination of the wall that bedevils mimes.

Next up, famed mime Leonard Pitt astounds us by seeming to eat his own face.  Pitt has another lovely bit with a Bali mask that he expands to kindly offering the audience a lesson on how the magic is made.

Pitt is assisted by his grandson Miles for a magic trick—the grandson provides the set up and straight-man lines, and even dives into the audience to get a volunteer.  The kid has more poise and confidence than most adults, so his future seems set.

James Donlon’s skits feature elegant themes that emerge gradually. His hapless “Worker of the Future,” with hilarious sound effects, evokes sympathy for the poor worker and the uncomfortable recognition that we’re nearly that guy already.

That “Zoo Planet” of Donlon delighted me. I’m convinced Donlon rides the same San Francisco bus lines as I do—he certainly captures the denizens to perfection.

The second act of each show is different: Opening night featured Michael Hayes, an energetic, absurd clown and musician. Wearing a top hat, with his belly exposed by a too short shirt, Hayes enchants us with agreeable nuttiness.

Michael Hayes

Hayes becomes the Great Garbolski family, a multi-character experience.  At first, I thought they were Russian, then Hungarian—but the planet Neptune cannot be ruled out.  This eastern European clan includes a son Peter who is somehow a cowboy. Of course.

Hayes’ nonsense calls our everyday world into question, hilariously. He explores family, pickle-making, and offers a slyly subversive dose of what it means to be American.

He also performed the oddest segue I’ve ever seen—but it works. When his conspiracy theorist morphs into the Emperor of Salami-Land, it made perfect sense to me.  This Emperor goes on to perform an anthem any clown would envy.

In future shows, watch for:

“Mingalaba” by James Sundquist

“The Miss American Dream Show” by Sierra Camille

“Words from A Cuban Father” by Alina Ceñal

Tired of Netflix, Hulu, HBO, and the rest of ‘em? Try some live theater. Running only until March 4, so mark your calendar.

Alina Ceñal

“Up in the Air” –hosted by James Donlon & Leonard Pitt, by Flying Actor Studio, at Stage Werx Theatre, 446 Valencia Street, San Francisco. Info: FlyingActorStudio.com – to March 4, 2023.

Cast: Sierra Camille (March 3), Alina Ceñal (March 4), James Donlon, Geoff Hoyle, Leonard Pitt, and James Sundquist.

Banner photo: James Donlon

Sign up for FREE reviews
in your mailbox.

Check your inbox or spam folder to confirm your subscription.


#Circus, #Comedy, Clowns & Mimes
comedy, Family, friendship, Identity, revolution, San Francisco, Satire, workers

Post navigation

NEXT
“The Headlands” Highlights Gap Between Memory & Reality—at ACT
PREVIOUS
“A Marriage” Brilliantly Celebrates 40 Years of Gay Romance—at TheatreFirst
Comments are closed.

Current Shows

  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda
  • “Little BIG Mouth” Pays Tribute to Women Artists—at The Marsh
  • “The Prince” Pits Power-Crazed Duke vs. Mad Monk—at Central Works
  • “Hairspray” A Campy Antidote to White Supremacy—at SF Playhouse
  • “The Bumpy Road Less Traveled” Exposes School-to-Prison Pipeline—at The Marsh
  • “Employee Dharma Handbook” Exposes Corporate Caste Secrets—at TheatreWorks
  • “Going to St. Ives” Where the Black Theater Movement Tackles Colonialism—at LBP
  • “Scabmuggers” Empowers with Lessons in Courage—at The Freight
  • “Hamlet” Highlights Corruption in Surveillance State—at SPARC
  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Sign up for FREE reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.