Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“Washed Up on the Potomac” Liberates Mad Men, at S.F. Playhouse

“Washed Up on the Potomac” Liberates Mad Men, at S.F. Playhouse

August 23, 2018 bdhorwitz

Lynn Rosen Pits Freaks against Geeks

by Barry David Horwitz

What motivates a proofreader in a sweltering ad agency to huddle in a parka at her desk and shun her fellow workers? It’s the classic story of a nerdy receptionist who lives with her domineering mother and fears any contact. Incapacitated, she comically shuttles between desk and home, peeping out in fear.

In “Washed Up on the Potomac” playwright Lynn Rosen presents the humble, quiet worker, Sherri, played with delicious abandon by talented and endearing Melissa Quine, clutching her big black bag, painfully shy. But she may be more authentically creative than her noisy wanna-be co-workers.

Cole Alexander Smith (Giorgio) & Melissa Quine (Sherri). Photos: Ken Levin

It’s a hot day in the proofreaders’ basement office in a Washington, D.C. advertising agency. Joyce, another co-worker, disappeared months ago. She could be the mysterious body that washed up on the shores of the Potomac River, today. Mysteries abound.

These “washed-up” workers live in a Purgatory where the fluorescent lights flicker, and power goes out, intermittently. Bravo to director José Zayas for bringing these lively characters to life in a familiar yet threatening setting.

In the delightfully stark, post-it papered office set, over-bearing office manager Giorgio (assertive Cole Alexander Smith) tries to lord it over his minion Mark (inventive Vincent Radanzzo). Mark, the put-upon worker, fancies himself a budding Ernest Hemingway, as he poses in slouched hat, putting on a brave show. Mark lives in his dreams of fame.

Jessica Bates (Kate), Cole Alexander Smith (Giorgio), Vincent Randazzo (Mark), and Max Forman-Mullin (That Guy)

Enter Kate (startling Jessica Bates), scantily clad, who is always expecting her big break as a rock n’roll singer-songwriter. She wears a spectacular punk rock outfit and flirts with poor Mark, a younger guy, relentlessly. They both make fun of dreary Sherri, who silently idolizes them. Kate and Mark are the “cool cats.”

Behind the cloudy glass partition lurks the office mystery man, known as “That Guy,” subtlely played by charming Max Forman-Mullin. After Kate’s punk-ish performance in a club, That Guy offers a special gift to a Sherri, who has ventured out.  Sherri and “That Guy” bring together the dual themes of repression and expression. We warm to their budding romance, far more real than the outrageous behavior of fake Mark and phony Kate.

Max Forman-Mullin (That Guy)

Go see “Washed Up” for sterling comic performances by these five sharp, talented actors. In a beautiful final scene, Sherri and That Guy redefine “romance.” The Geeks show us the difference between flirting and love: Flirting wears thin, but love finds new forms.

“Washed Up” reveals the false allure of commercialized art. So, let’s applaud the repressed office workers, so that we don’t get washed up on the Potomac like Kate and Mark. In a sweet ending, Sherri and That Guy offer a fulfilling flash of passion and hope.

“Washed Up on the Potomac” by Lynn Rosen, directed by José Zayas, by S.F. Playhouse, Sandbox Series, at Custom Made Theatre, San Francisco, through Saturday, September 1, 2018. Info: sfplayhouse.org

Cast: Melissa Quine, Cole Alexander Smith, Max Forman-Mullin, Jessica Bates, and Vincent Randazzo.


Plays
advertising, artists, comedy, fear, music, office workers, Romance

Post navigation

NEXT
“Woman on Fire” Haunts & Unsettles, at Those Women, Berkeley
PREVIOUS
“#Get Ghandi” Amuses & Bewilders, at Z Space, S.F.
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Subscribe for upcoming reviews!
Loading

Current Shows

  • “Clyde’s”: Rough & Tumble Diner Serves Up Mixed Sandwiches—at Berkeley Rep
  • “Slow Food”: Three Superb Actors Serve Up Quick Laughs—at Altarena
  • “The Indigo Room” Magically Translates Indigenous Stories—at La MaMa, N.Y.
  • “The Never Too Late Show”: Tales of Hilarious Homeboy in Hollywood—at The Marsh
  • “Poetic Justice” Exalts Passionate Modern Poets—at The Marsh
  • “As You Like It”: Weaves Past & Future in Magical Forest—at SF Playhouse
  • “Beetlejuice, The Musical” Parties Hard and Fast—at BroadwaySF
  • “Hailie!” Celebrates the Queen of Gospel’s Triumphs—at Lorraine Hansberry
  • “Little Shop of Horrors”: Killer Plant Blooms in Chinatown—at TheatreWorks
  • “Ham for the Holidays” Lightens the Heart—at Main Stage West 
  • “Remember This: The Lesson of Jan Karski” Is Unforgettable—at Berkeley Rep
  • “A Year with Frog and Toad”: Episodes of Woodland Friendship—at BACT
  • “Shoshana in December”: A Holiday Musical for Jews & Polyamors—at Custom Made
  • “Wuthering Heights” Takes Us from Darkness to Light—at Berkeley Rep
  • “Natasha, Pierre & Great Comet of 1812”: A Musical Triumph—at Shotgun

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

© 2023   All Rights Reserved.