Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“The SpongeBob Musical” Wows with Nostalgia & Design, at BroadwaySF

“The SpongeBob Musical” Wows with Nostalgia & Design, at BroadwaySF

February 14, 2020 Tanvi Agrawal

Millennial Notes

Tina Landau Dives Deep for Fresh Take on Beloved Cartoon

by Tanvi Agrawal

You don’t need to be a child or a “SpongeBob” fan to enjoy the wonder and excitement of this cartoon classic in a big musical world.

Millennials, nostalgic for SpongeBob’s innocent hilarity, will find exuberant, talented Lorenzo Pugliese as SpongeBob singing “I’m ready, I’m ready,” his mantra.  Super-talented Pugliese’s breakout performance of “Whooo lives in a pineapple under the sea!” thrills the audience. Loyal childhood fans break into song, a thrilling badge of honor.

Lorenzo Pugliese, “Just A Simple Sponge.” Photos by Jeremy Daniel

With one hit song after another by writers like Aerosmith, Sara Bareilles, David Bowie, and Panic! at the Disco, the excitement builds.  John Legend’s signature jazz sounds serve as SpongeBob and best friend Patrick Star’s (Beau Bradshaw) reunion ballad, “(I guess I) miss you.”

Rapper T.I. supplies the beats for villainous Plankton’s (Tristan McIntyre) impressive hip hop act with “When the Going Gets Tough.” The star-studded soundtrack adds a long list of surprises to the musical.

Director and co-creator Tina Landau gives new voice to previously misunderstood Squidward Tentacles (flawless Cody Cooley) with the spectacular “11 o’Clock” number. Dancers in shiny pink sequins and feathers surround Cooley whose “tentacles” sport tap shoes!  He delivers a mind-bending tap routine with two sets of dancing feet. We start to love Squidward as a passionate artist, adding complexity to the grouchy cartoon figure.

Cody Cooley, “I’m Not A Loser”

Among many impressive performers, Mr. Krabs’ whale daughter, Pearl (powerhouse Méami Maszewski) pops out.  Her soulful riffing in “Daddy Knows Best” grabs our sympathy. She laments her father’s love for money over his love for her, adding sweet nuance to the “spoiled brat” theme.

In line with the cartoon’s playful tone, majestic jellyfish cleverly fashioned from pink umbrellas and streamers float through the aisles. A carefully choreographed black light dance uses fluorescent sponges as bright yellow fireworks. Every detail is well thought-out, down to the suction cup noises and memorable squeaks of Squidward and SpongeBob’s footsteps.

“A Bikini Bottom Day”

Brave SpongeBob and inventor buddy Sandy Cheeks (Daria Pilar Redus) climb to the top of a wonderful “volcano” constructed of cardboard boxes and industrial ladders. The duo maneuvers in and out, as the structure shifts under their feet. Helpers detach and swivel pieces that fit together like deceptive puzzle pieces, heightening moments of tension with skillful design.

“The SpongeBob Musical” offers spectacular effects, non-stop fun, and a big bubble party. It’s not profound, but it’s a great time for kids and adults who love   the cartoon. For those of us who are simply curious, go see it and you will be surprised. SpongeBob’s got more depth and artistry than ever!

Daria Pilar Redus & Lorenzo Pugliese, “Erupter Interrupter”

“The SpongeBob Musical” –book by Kyle Jarrow, directed by Tina Landau, songs by Jonathan Coulton, David Bowie, Plain White T’s, Sara Bareilles, Cyndi Lauper, John Legend, Steven Tyler & Joe Perry, & The Flaming Lips, at BroadwaySF, at Golden Gate Theatre, through Sunday, February 16, 2020. Info: goldengatetheatresf.com

Cast: Lorenzo Pugliese, Beau Bradshaw, Daria Pilar Redus, Cody Cooley, Tristan McIntyre, Caitlin Ort, Zach Kononov, Méami Maszewski, Natalie L. Chapman, Dorian O’Brien, Morgan Blanchard,

Helen Regula, Richie Dupkin, Stephen C. Kallas, Joshua Bess, Stefan Miller, Miles Davis Tillman, Kenneth Ferrone, Elle-May Patterson, Sydney Simone, Ayana Strutz, and Rico Velazquez.


Kids, Millennial Notes, Musical

Post navigation

NEXT
“Macbeth” Wades into Familiar Corruption & Cruelty, at Ubuntu, Oakland
PREVIOUS
Kelsey Reder
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Subscribe for upcoming reviews!
Loading

Current Shows

  • “Slow Food”: Three Superb Actors Serve Up Quick Laughs—at Altarena
  • “The Indigo Room” Magically Translates Indigenous Stories—at La MaMa, N.Y.
  • “The Never Too Late Show”: Tales of Hilarious Homeboy in Hollywood—at The Marsh
  • “Poetic Justice” Exalts Passionate Modern Poets—at The Marsh
  • “As You Like It”: Weaves Past & Future in Magical Forest—at SF Playhouse
  • “Beetlejuice, The Musical” Parties Hard and Fast—at BroadwaySF
  • “Hailie!” Celebrates the Queen of Gospel’s Triumphs—at Lorraine Hansberry
  • “Little Shop of Horrors”: Killer Plant Blooms in Chinatown—at TheatreWorks
  • “Ham for the Holidays” Lightens the Heart—at Main Stage West 
  • “Remember This: The Lesson of Jan Karski” Is Unforgettable—at Berkeley Rep
  • “A Year with Frog and Toad”: Episodes of Woodland Friendship—at BACT
  • “Shoshana in December”: A Holiday Musical for Jews & Polyamors—at Custom Made
  • “Wuthering Heights” Takes Us from Darkness to Light—at Berkeley Rep
  • “Natasha, Pierre & Great Comet of 1812”: A Musical Triumph—at Shotgun
  • “Two Trains Running” Celebrates Civil Rights Era Black Bravery—at MTC

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

© 2023   All Rights Reserved.