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Theatrius

Theater Reviews – San Francisco and Beyond

Kelsey Reder

Kelsey Reder

February 13, 2020 Kelsey A. Reder

Kelsey Reder is a California native fueled by her love for art, literature, language and shadows. She currently writes proposals and works on branding and creative content. She is on the continual pursuit of knowledge, perspective and refined writing skills. When she’s not writing or painting, she can be found practicing her French, compulsively buying books and pep talking her plants into good health.

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Current Shows

  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda
  • “Little BIG Mouth” Pays Tribute to Women Artists—at The Marsh
  • “The Prince” Pits Power-Crazed Duke vs. Mad Monk—at Central Works
  • “Hairspray” A Campy Antidote to White Supremacy—at SF Playhouse
  • “The Bumpy Road Less Traveled” Exposes School-to-Prison Pipeline—at The Marsh
  • “Employee Dharma Handbook” Exposes Corporate Caste Secrets—at TheatreWorks
  • “Going to St. Ives” Where the Black Theater Movement Tackles Colonialism—at LBP
  • “Scabmuggers” Empowers with Lessons in Courage—at The Freight
  • “Hamlet” Highlights Corruption in Surveillance State—at SPARC
  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino

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Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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