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Theater Reviews—San Francisco and Beyond

“Overlooked Latinas” Reveres Legendary Women—Streaming Rhino

“Overlooked Latinas” Reveres Legendary Women—Streaming Rhino

November 19, 2020 Patricia L. Morin

Banner photo: Tina D’Elia as Lupe Vélez

Tina D’Elia Weaves Latina Activism into Comedy

 by Patricia L. Morin

The premise of “Overlooked Latinas” is brilliant. Tina D’Elia spotlights the political power of famous 1930s to 50s Latina movie stars in her gripping solo show about Angel, an aspiring lesbian TV writer.

As the playwright, D’Elia depicts how these Latinx stars activated a cultural revolution.

In “Overlooked Latinas,” Latina Hollywood stars, including LGBTQ, expose U.S. Immigration’s mistreatment of Latin people. Angel’s multi-layered story reveals a passionate condemnation of U.S. hypocrisy and obvious racism.

Tina D’Elia as Angel

The story features feisty lesbian writer Angel Torres (expressive Tina D’Elia), and her beloved producer, lesbian Mr. Carla Garcia (also D’Elia). They have just achieved their dream: their own TV Series! The series will star sexy Latina idol Rita Hayworth. This “new” Rita proclaims her mad crush on Angel—adding layers of comic jealousy.

The high-pitched voiced producer, Mr. Carla, Angel’s best friend, keeps her/his eyes on Angel—capturing our hearts. Their grandfatherly-like Jewish agent, Mr. Markowitz is equally loveable.  Together, they display D’Elia’s amazingly virtuosity. We enjoy a fun romp with a bit of slapstick humor.

Tina D’Elia as Angel, another view

Thanks to D’Elia’s many-faceted talent, Ramón Novarro, Dolores Del Rio, and Lupe Vélez all appear. They are also facing Senator McCarthy’s savage 50s witch hunt for “communists” and gays in Hollywood, setting up a public struggle.

D’Elia plays all nine characters, and like a carousel, they come and go rapidly. You have stay alert to keep up with her pace. Although the Zoom format does not favor her quick movements and fast speech, her distinctive facial expressions surpass words.

While the soap opera script serves as façade, our Angel has a life. She is married to Lena Anne Horne, once a prominent Jazz singer, who wants to have a baby.  Lovely Lena carries a turkey baster in case she meets the right man.

In the 70-minute show, D’Elia transforms herself into a rainbow spectrum of clever characters. Some stories fade, while others shout out to defend persecuted immigrants who demand attention and respect.

Tina D’Elia as Rita Hayworth

When the “Hollywood Ten” get blacklisted, Angel turns to another movie star, Rosaura Revueltas, for a role model. Revueltas, “fierce as an activist,” gets arrested and jailed while filming, ironically, “Salt of the Earth.” She suffers the wrath of the Red Scare—deported as a “communist”—never to work in the U.S. again.

When we hear Anita Ellis singing “Put the Blame on Mame,” we see that all these powerful Latinas have been unfairly blamed for Hollywood’s missteps. Pandemic anti-Communism took a terrible toll, as many Latinx people faced expulsion.

Be sure to watch for quick quips and surprising stories inside their cliché- and fun-filled TV series.

Tina D’Elia, a powerful and touching solo performer, makes me want to see and know more about these hidden heroes.

 

“Overlooked Latinas” by Tina D’Elia, directed by Mary Guzman, at Theatre Rhinoceros, San Francisco, California—Streaming at: TheRhino – to November 22, 2020.

Cast: Tina D’Elia (all the roles)


on-line, Plays, solo shows
Capitalism, Civil Rights, Colonialism, comedy, exploitation, feminism, friendship, gay, Hollywood, Identity, Immigrants, justice, LBGTQ, lesbian, love, patriarchy, racism, revolution, Romance, Satire, sex, social class, Women's Rights, workers

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