Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“At the Wake of a Dead Drag Queen” Revives Gay Rebellion—at The Rhino

“At the Wake of a Dead Drag Queen” Revives Gay Rebellion—at The Rhino

November 5, 2021 bdhorwitz

Terry Guest Fashions a Fabulous Foray into Drag

 by Barry David Horwitz

Terry Guest’s play about two drag queens in Albany, Georgia proves yet again that these gals have always been the sharp cutting edge of gay liberation.

Guest builds a stairway of poetic language to conduct Courtney (delightful Devin Cunningham) and her acolyte Vickie (marvelous Mario Mazzetti) to dizzying heights of romance and rejection. Their love is punctuated with glorious silk gowns in red and pink, as Courtney rejects  Vickie even while they love each other.

Mario Mazzetti & Devin Cunningham. Photos by Vince Thomas

Courtney invites us to her own wake, taking us on an emotional tour of her life, after she dies at 23 years of life. She entices, then rebuffs the love offered by her protégé, Vickie Versailles, as AIDS lurks behind the curtain.

Courtney confides, “I am from a land of Piccadilly and cotton fields. I am from a place that is hot, honey. And wet, honey. And a place that is dangerous at night, honey. I am from a place where the land sweats, honey.”

Drag becomes liberation as the audience applauds and cheers. “Drag Queen” shows the JOY in gay assertion, amped up by familiar tunes, iconic moves, and extravagant manners.

Their drag numbers and lip-sync routines resonate as the couple’s love story slowly surrounds them. “Drag Queen” offers classic Judy and Whitney songs in an absorbing, lyrical drama.

Devin Cunningham (Courtney/Anthony)

Energetically directed by Tanika Baptiste at Sparks Arts on 18th Street, Theatre Rhino brings it all home to the Castro. The spirit of Harvey Milk hovers over the potent political combo of comedy, drag, and rebellion.

Courtney has chosen to stay in rural Georgia, enjoying the sunsets over the swamps, doing drag for the locals, and fervently dishing anybody who gets too close. Defiant about her choices, Courtney poetically describes her isolation in the backwoods, as she bears suffering and disease in secret.

She traffics in cruelty and insults, a ferocious femme. As the cicadas sing to the moon, she tells us: “You gotta find a way to stand up straight in a crooked room.” She tries to stand up straight, but a Black queen in Georgia, dying at an absurdly young age, demands attention, not romance.

Mario Mazzetti (Vickie/Hunter).

Vickie tries to corral her: “Anthony, if you gon tell the story tell it straight. Don’t lie to these people.” Vicky, her equal in defiance, yearns for her Drag Mother’s love—they are counterparts, after all. But Courtney prefers to remain a remote star, unavailable.

Courtney revives the grand divas—from Judy and Lisa to Diana and Whitney. Vickie channels Bernadette Peters, Shania Twain, and Baby Spice. Art becomes life, along with the pain of living. Can they impossibly connect before it’s too late?

Drag queens have always been marching in the front lines, confronting cops at Compton’s and Stonewall. As Guest’s glorious queens assert their identities, they just might inspire us to save ourselves. Queens have moved mountains before.


“At the Wake of a Dead Drag Queen”
by Terry Guest, directed by Tanika Baptiste, by Theatre Rhinoceros, at Spark Arts, 4229-18th St., San Francisco. Info: TheRhino.org – to November 14, 2021.

Cast: Devin Cunningham & Mario Mazzetti.

Banner photo: Mario Mazzetti & Devin Cunningham. Photos by Vince Thomas


Musical, Plays
Civil Rights, Colonialism, comedy, drag, exploitation, Family, feminism, friendship, gay, hope, Identity, love, music, politics, power, racism, revolution, Romance, Satire, sex, social class, wit, women, workers

Post navigation

NEXT
“My Fair Lady”: Magnificent Musical Celebrates Shaw’s Ideals—at BroadwaySF
PREVIOUS
“The Great Khan” Unearths Hidden History of Africa & Asia, at S.F. Playhouse
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Subscribe for upcoming reviews!
Loading

Current Shows

  • “Slow Food”: Three Superb Actors Serve Up Quick Laughs—at Altarena
  • “The Indigo Room” Magically Translates Indigenous Stories—at La MaMa, N.Y.
  • “The Never Too Late Show”: Tales of Hilarious Homeboy in Hollywood—at The Marsh
  • “Poetic Justice” Exalts Passionate Modern Poets—at The Marsh
  • “As You Like It”: Weaves Past & Future in Magical Forest—at SF Playhouse
  • “Beetlejuice, The Musical” Parties Hard and Fast—at BroadwaySF
  • “Hailie!” Celebrates the Queen of Gospel’s Triumphs—at Lorraine Hansberry
  • “Little Shop of Horrors”: Killer Plant Blooms in Chinatown—at TheatreWorks
  • “Ham for the Holidays” Lightens the Heart—at Main Stage West 
  • “Remember This: The Lesson of Jan Karski” Is Unforgettable—at Berkeley Rep
  • “A Year with Frog and Toad”: Episodes of Woodland Friendship—at BACT
  • “Shoshana in December”: A Holiday Musical for Jews & Polyamors—at Custom Made
  • “Wuthering Heights” Takes Us from Darkness to Light—at Berkeley Rep
  • “Natasha, Pierre & Great Comet of 1812”: A Musical Triumph—at Shotgun
  • “Two Trains Running” Celebrates Civil Rights Era Black Bravery—at MTC

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

© 2023   All Rights Reserved.