Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“Passing Strange” Rocks Music & Memories—at Shotgun Players

“Passing Strange” Rocks Music & Memories—at Shotgun Players

March 17, 2022 Patricia L. Morin

Stew & Heidi Rodewald’s Black “Youth” Takes Mystical Tour

by Patricia L. Morin

Director William Thomas Hodgson’s “Passing Strange” follows a young Black man called “Youth” down a twisted trail to self-discovery.

We are greeted by the Narrator (dynamic Albert Hodge), Youth’s older self, standing high above the stage—a ringmaster announcing each spectacle. Hodge welcomes us with a booming lyrical song outlining his madcap musical journey:  “Catch the song to know what it’s all about.”

Hodge asks questions and directs the actors, providing unity, and interweaving humorous reflections. “Imagine,” he states, “an adult’s life decisions made by a stoned teenager.”

Albert Hodge (Narrator). Photos by Benjamin Krantz

We are drawn into designer Romello Huins’ mysterious, multi-level stage edged in white neon light. When the band enters, led by Music Director Daniel Alley, they pull us into an electric kaleidoscope of sounds: acid rock, gospel, and jazz fusion. The audience responds by clapping to the beat of their rhythm.

We meet Narrator’s restless younger self “Youth” (versatile Devin Cunningham), a rebellious middle-class Black teen from Los Angeles. As the ensemble sings “Baptist Fashion Show,” the angry Youth rebukes his “phony” church for running fashion shows up the church aisle.

Devin Cunningham (Youth), with Myles Brown, Angel Adedokun, Chanel Tilghman, & Shakur Tolliver

After he hears the gospel song “Church Blues Revelation,” Youth is transformed by Music. He begins an existential journey in his search for “the real,” as the ensemble sings, “Something Real Goin’ Down.”  The Narrator explains, “Music causes the fusion of the real.”

Youth leaves the church, his band, and his mother to fly to Amsterdam. His disappointed mom (talented Rolanda D. Bell) commands the stage with exuberant singing and exceptional acting. Tears run down her cheeks when she asks when he will visit her. Bell forges a powerful moment, making time stand still.

Rolanda D. Bell (Mother). Photos by Benjamin Krantz

Youth’s feelings reflect the challenges facing young adults, today. His music spotlights the roller-coaster of his emotions. After drug-induced adventures in Amsterdam, they sing “Everything’s Alright,” as he learns to wear his body. “We Just Had Sex” embodies the young adult who mixes contradictory urges, craziness with love.

The magical mystery tour ends in Germany, at a “May Day” protest. Youth feels at home with the poor performance artists, so he lies to become one of them. With a bouncy Broadway tune, he pretends to be a ghetto kid.

In “The Black One,” he mocks a White view of Black people: “Who lends the club that speakeasy air? The Black One! / Who dances like a God and has vunderbar hair? The Black One!”

Shakur Tolliver (Venus), with Angel Adedokun, Chanel Tilghman, Devin Cunningham, & Myles Brown

By following Stew Rodewald’s lyrics through this revealing madcap memoir, we understand how Youth’s journey fuses with his art. And his journey ends with a surprise.

“Passing Strange” sparkles with the talents of Angel Adedokun, Chanel Tilghman, and Myles Brown, wearing varied characters with confidence. Director Hodgson sets the actors for success by showcasing their personalities with dances and songs in multiple roles. Shakur Tolliver shines as Venus in Germany and the Pastor’s son.

For me “Passing Strange” is a personalized rock musical with a young man’s incredible journey sewn into each note. For others, it might be a young man’s psychological journal of self-discovery—with backup music and lyrics strewn among the pages.

Either way, “Passing Strange” takes us on a surreal, self-defining trip. Enjoy the ride!

Devin Cunningham, Angel Adedokun, & Shakur Tolliver

“Passing Strange” –book & lyrics by Stew, music by Stew & Heidi Rodewald, created in collaboration with Annie Dorsen, directed by William Thomas Hodgson, at Shotgun Players, Berkeley. Info: ShotgunPlayers.org – to April 23, 2022.

Cast: Angel Adedokun, Rolanda D. Bell, Myles Brown, Devin Cunningham, Albert Hodge, Champagne Hughes, Chanel Tilghman, and Shakur Tolliver.

Band: Daniel Alley, Vincent De Jesus, Bennett Hall, and Michael “Tiny” Lindsey.

Banner photo: Myles Brown, Chanel Tilghman, Devin Cunningham, Angel Adedokun, & Shakur Tolliver. Photos: Benjamin Krantz


Dance, Musical, Plays
#BLM, Civil Rights, Colonialism, Dance, exploitation, Family, friendship, hope, Identity, justice, love, music, power, race, revolution, Romance, Satire, sex, social class, wit, workers

Post navigation

NEXT
“Escape from the Asylum” Highlights Women’s Cunning—at Central Works
PREVIOUS
“Sense & Sensibility”: Stunningly Beautiful Jane Austen Romance–at TheatreWorks
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Current Shows

  • “Hat Matter” Unfolds Fashion as Political Action—at OTP
  • “Monument, or Four Sisters” Explores Loss of Love & Coral Reefs—at Magic Theatre
  • “Paper Dreams of Harry Chin” Reveals Chinese American Fears—at SF Playhouse
  • “Going Out”: Humorous & Heartfelt Memories thru a COVID Lens—at The Marsh
  • “The Government Inspector”: Classic Comedy Mocks Corrupt Officials—at Ross Valley
  • “Our Town”: Small Town Charm Exposes Need for Change—at Center REP
  • “Octet” Invites Musical Escape from Internet Tyranny—at Berkeley Rep
  • “PrEP Play, or Blue Parachute”: Packed with Plots and Passions—at NCTC
  •  “Allegiance”: A Musical that Entertains & Instructs—at Palo Alto Players
  • “Crowns” Spotlights African American Perseverance—at CCCT
  • “Drowning in Cairo” Plumbs Depths of Homophobia—at Golden Thread
  • “The Incrementalist”—A Tender, Illuminating View of Compromise—at Aurora
  •  “One Flea Spare”: Praiseworthy Experiment Pays Off—at Main Stage West
  • “Endlings” Unnerves with Extinction Nightmares—at Oakland Theater Project
  • “Gem of the Ocean”: A Mighty Cruise to African Epiphany—at TheatreWorks   

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

Subscribe for upcoming reviews!
Loading
© 2022   All Rights Reserved.