Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“Indecent”: A Thrilling Play-in-Play Celebrates Yiddish Arts—at SF Playhouse

“Indecent”: A Thrilling Play-in-Play Celebrates Yiddish Arts—at SF Playhouse

October 7, 2022 bdhorwitz

Paula Vogel Tells HerStory of Tyrannical Father vs. Women Rebels

by Barry David Horwitz

Paula Vogel’s “Indecent” holds Sholem Asch’s play “God of Vengeance” tightly in its heart, carrying it from the Jewish ghetto in 1906 Poland to its fateful future in 1923 at New York City’s Yiddish Theater.

Seven superb actors play the acting troupe that brings Asch’s play to the world. Three talented musicians bring us glorious Klezmer music on clarinet, accordion, and violin.

Vogel shows us the real-life, first reading of Asch’s play in a Polish attic, depicting disputes between an angry father (Victor Talmadge) who lords it over his wife (Rachel Botchan), and his 17-year-old daughter Rivkele (Malkla Wallick).  But her father cares only about appearances. And he runs a brothel in their basement! His hypocrisy is shameless.

Rachel Botchan, Victor Talmadge, & Malka Wallick performing in Berlin, 1907.  Photos: Jessica Palopoli

Women’s liberation beats at the heart of “God of Vengeance.” Rivkele falls in love with Manke (Rivka Borek), who works as a prostitute downstairs! We are invited to sympathize with a manipulated daughter and a sex worker in love—way too much liberation for 1923 Broadway! In their steamy revolt—against patriarch and pimp—the two women make a new Herstory.

Simultaneously, “Indecent” depicts the Yiddish actors’ dedication—making Asch’s life and play an artistic hit across Europe. The whirlwind of Yiddish dances and songs, joy and terror, make a thrilling docu-drama depicting the play’s evolution across time. Director Susi Damilano has energized a grand cast of seven top-flight actors who portray a fascinating panoply of artists.

Rivka Borek & Billy Cohen watch Rachel Botchan, & Malka Wallik performing the last moments of “The God of Vengeance” in Berlin, Saint Petersburg, Constantinople, and Bratislava.

The defining visual of the play, Yiddish Theater’s old-fashioned proscenium arch, sits astride the stage in majesty. Under it, seven actors in greatcoats gracefully depict decades of fear, hatred, and deportation—under the cruel father and the real-life Nazis.

Sholem Asch (touching Billy Cohen) sees his early play become a scandal in New York. No way two Jewish women could fall in love! How dare Asch expose an abusive Jewish father! While “God” was successful all over Europe, Broadway couldn’t handle it; a conservative rabbi calls the police with dangerous results.

Dean Linnard (Lemml) prepares his final goodbyes before his return to Poland. Photos: Jessica Palopoli

The linchpin of Vogel’s historical melodrama is Lemml, played by the unforgettable Dean Linnard, the Stage Manager from that first reading. With touching empathy, Lemml says, “That play changed my life.” He changes from a tailor in black garb to an international actor. Linnard physically embodies the Jewish story—personally and politically—in a stunning performance.

“Indecent” takes us on tour from the ghetto in Poland, through Europe, to the New York Yiddish Theater. Each time we see the final scene replayed—with increasing art and emotion–we hear the father exclaim: “You know what this Torah cost? Whores had to work a year on their back to pay for this Torah!” as he raises the Torah into the air, threateningly.

Dmitri Gaskin, Victor Talmadge, Dean Linnard, Malka Wallick, Rivka Borek, Ted Zoldan, Billy Cohen.

A play celebrated in the capitals of Europe is labelled “indecent” in America: “We didn’t encounter this type of censorship until we came to America and put it on Broadway.” It was the first time that two women kissed on stage. And a prostitute, too. Scandal!

Vogel spins the hands on the clock until we see a whole century through Asch’s controversial play. Damilano’s production spans from exhilaration to despair —full of celebration, music, and foreboding. It’s touching, emotional, and true! Don’t miss it.


“Indecent”
by Paula Vogel, directed by Susi Damilano, music direction by Dmitri Gaskin, choreography by Nicole Helfer, co-produced by San Francisco Playhouse & Yiddish Theatre Ensemble. Info: SFPlayhouse.org – to November 5, 2022.

Cast: Rivka Borek, Rachel Botchan, Billy Cohen, Dean Linnard, Victor Talmadge, Malka Wallick, and Ted Zoldan.

Musicians: Dmitri Gaskin (accordion), Audrey Jackson (clarinet), Matthew Stein (violin).

Banner photo: Rachel Botchan, Victor Talmadge, Dean Linnard, Malka Wallick, Rivka Borek, Billy Cohen, and Ted Zoldan. Photos by Jessica Palopoli


#International, #Lesbian, #Yiddish Theater, Dance, Music, Plays, songs
Capitalism, Civil Rights, Colonialism, Dance, exploitation, Family, feminism, friendship, gay, Identity, Immigrants, justice, lesbian love, love, marriage, music, New York, patriarchy, politics, poverty, power, racism, religion, Romance, Satire, social class, wit, women, Women's Rights, workers, WWII

Post navigation

NEXT
“Overlooked Latinas” Celebrates Legendary Latin Women—at The Marsh, S.F.
PREVIOUS
“Eugene Onegin” Soars with Simple Elegance—at S.F. Opera
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Subscribe for upcoming reviews!
Loading

Current Shows

  • “Let the Right One In”: Shocking Story of Vampires in Our Lives—at Berkeley Rep
  • “I’ll Eat You Last” Serves Up Power, Fame, Obsession—at Spindrift 
  • “Chinglish” Mingles Language & Politics in Brilliant Comedy—at SF Playhouse
  • “Exhaustion Arroyo”: A Trip from Pizza Slavery to Redwood Heaven—at Cutting Ball
  • “The N— Lovers” Calls Out White Myths with Great Comedy—at The Magic
  • “shadow/land” Celebrates Joy in the Face of Disaster—at The Public, N.Y.
  • “Where Did We Sit on the Bus?” Rolls to a Stop—at MTC
  • “The Producers” Soars with Spectacular Satire & Song–at Hillbarn
  • “Boeing Boeing” Flies Us into Deception & Folly—at Benicia
  • “Cyrano”: A Beautiful Romance for the Ages—at Aurora
  • “Poor Yella Rednecks” Sprinkles Slang & Spice in Viet Struggle –at ACT
  • “To Master the Art” Blends French Food, U.S. Politics, & Love—at CCCT
  • “Giraffes Can’t Dance” Highlights Power of Perseverance—at BACT
  • “Cyrano”: Streamlined Comedy on the Nose–at Aurora
  • “Poor Yella Rednecks”: Refugee Tale Rocks & Rambles—at ACT

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

© 2023   All Rights Reserved.