Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“Communicating Doors”: Comical Crime Thriller, at Center REP, Walnut Creek

“Communicating Doors”: Comical Crime Thriller, at Center REP, Walnut Creek

February 6, 2019 Carly Van Liere

Millennial Notes

Alan Ayckbourn’s Leading Ladies Escort Us Through Time

by Carly Van Liere

In Center Rep’s production of “Communicating Doors,” three valiant leading ladies evade a murderous business man by hiding behind the communicating door of a posh hotel suite.  But, this communicating door doubles as a time machine, transporting them twenty years into the future or  the past—to 1983, 2003, or 2023.

At two hours and 30 minutes, wildly popular British playwright Alan Ayckbourn takes his time to spell out the convoluted time travel plot. But his roomful of intriguing characters keep the laughs coming, thanks to a cast full of the Bay Area’s finest actors.

Sharon Rietkerk (Poopjay). Photos by Kevine Berne

In that hotel suite, black leather suited dominatrix Poopay (bubbly, funny Sharon Rietkerk), has been summoned by dying billionaire Reece. As Poopay, Rietkerk switches seamlessly between leather clad fierceness and deer-in-the-headlights sweetness. And delightfully bumbling Reece, gracefully played Charles Shaw Robinson, who charms us with his sincerity, despite his villainous past.

Reese wants Poopjay to witness his confession to the murders of his first and second wives. It seems that billionaires, past and present, think they can get away with murder.

Sharon Rietkerk (Poopjay) & Julian (Robert Sicular)

When Reece’s cold and severe business partner Julian (menacing, funny Robert Sicular) tries to kill Poopay, she hides behind the time-traveling door. Much to her surprise, she swooshes back decades to the night that Reece’s first wife, Jessica was murdered. So, Poopjay decides to warn Jessica of her impending fate.

As Jessica, Brittany Danielle is hilarious and adorable, playing the ditsy-blonde archetype with flair and intelligence. As second wife Ruella, Julie Eccles commands the stage with leading lady energy. Along with Rietkerk, the three ladies make a fine trio of avenging angels, worthy of any cop show.

Brittany Danielle (Jessica) & Julie Eccles (Ruella) at Center REP

When all three bustling ladies end up in the present time, high comedy erupts. They pace the posh hotel room, trying to figure out how to prevent their murders in the past. The three women exhibit fabulous physical comedy skills as the dash around the room, and the audience roars with laughter.

As Harold the bumbling hotel detective, Mark Anderson Philips shines with wit and tricks. Harold twirls his jingling hotel key-ring in tune with his comical limp. Harold miraculously ages twenty years right in front of our eyes. Fine comic timing, Mr. Philips!

Mark Anderson Philips (Harold, the hotel detective)

Director Michael Butler has orchestrated a delightfully entertaining farce. The story clips along at a quippy, impressive pace, and the actors are  absolutely charming. “Communicating Doors”  delivers a silly, endearing romp through time. It makes me think about how I can change the past and the future. Perfect for a family night at the theater, and an excellent pick-me-up for a rainy Bay Area winter!

“Communicating Doors” by Alan Ayckbourn, directed by Michael Butler, at Center Repertory Company, Walnut Creek, California, through Saturday, February 23, 2019. Info: centerREP.org

Cast: Brittany Danielle, Julie Eccles, Mark Anderson Philips, Sharon Rietkerk, Charles Shaw Robinson, and Robert Sicula.

Banner Photo: Charles Shaw Robinson (Reece) & Sharon Rietkerk (Poopjay). All photos by Kevin Berne

Sign up for FREE reviews
in your mailbox.

Check your inbox or spam folder to confirm your subscription.


Millennial Notes, Plays
Alan Ayckbourn, comedy, dominatrix, leading ladies, time travel

Post navigation

NEXT
“Late Company” Comes with A Hatchet to Bury, at NCTC, S.F.
PREVIOUS
“Creditors”: A Brilliant Conspiracy of Vengeance, at Aurora, Berkeley
Comments are closed.

Current Shows

  • “Julius Caesar” Spotlights the Cost of Political Violence—at Marin Shakes  
  • “The Prince Part 2” Reveals Evolution of Master Politician Machiavelli—at Central Works
  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda
  • “Little BIG Mouth” Pays Tribute to Women Artists—at The Marsh
  • “The Prince” Pits Power-Crazed Duke vs. Mad Monk—at Central Works
  • “Hairspray” A Campy Antidote to White Supremacy—at SF Playhouse
  • “The Bumpy Road Less Traveled” Exposes School-to-Prison Pipeline—at The Marsh
  • “Employee Dharma Handbook” Exposes Corporate Caste Secrets—at TheatreWorks
  • “Going to St. Ives” Where the Black Theater Movement Tackles Colonialism—at LBP
  • “Scabmuggers” Empowers with Lessons in Courage—at The Freight

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Sign up for FREE reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.