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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Bevon Benet Brye

Posts by Bevon Benet Brye

Erin Mei-Ling Stuart & William Giammona. Photos: Ben Krantz Studio
“The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun

“The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun

April 2, 2026 Bevon Benet Brye

‍Edward Albee’s Searing Tragedy Evokes Laughter, Tears, Revelation‍ ‍ by Bevon Benet Brye ‍ In “The Goat or, Who Is Sylvia?” Edward Albee uses bestiality as a scorched-earth metaphor for the limitations of modern empathy. The playwright challenges us to extend our feelings beyond the liberal pieties about race, gay, and “others.” Here, everything…

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Raphael Buenaventura, Elana Swartz, Gene Mocscy, & John Fisher
“Left Field” Swears Hilarious Gay Prez into Office—at Rhino

“Left Field” Swears Hilarious Gay Prez into Office—at Rhino

February 26, 2026 Bevon Benet Brye

John Fisher’s Kinetic Comedy Slams Both Sides  by Bevon Benet Brye In the intimate Theatre Rhinoceros, John Fisher has ignited a dazzling political celebration. His latest work, “Left Field,” takes a “what-if” joyride through the halls of power. As playwright, director, and actor, Fisher manages both a fever dream and a spirited commentary on…

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Current Shows

  • “The Fre” Shows Conformity at Its Most Foolish—at OTP
  • “Arab Spring” Wrestles with Tradition vs. Modernity—at Golden Thread
  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Romeo & Juliet” Illuminates Personal & Political Connections—at The Public
  • “A Few Good Men” Engages in Hard Struggle for Truth—at Royal Underground
  • “Tiny Beautiful Things” Reveals Healing Power of Listening Deeply—at Town Hall
  • “Flight Risk” Offers a Master Class in Empathy—at The Marsh
  • “Girl, Interrupted” Exposes Machinery of Madness—at The Public
  • “The Lunchbox” A Musical Triumph Over Loneliness—at Berkeley Rep
  • “The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP
  • “Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse
  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT
  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh
  • “Drapetomania” ‘Disease’ of Freedom Calls Us to Action—at The Marsh, Berkeley
  • “La Cage aux Folles” Liberates True Love in Classic Drag—at The Rhino

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Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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