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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Jacob Dickerman

Posts by Jacob Dickerman

“Rocky Horror” Waxes Winning & Warped in Santa Rosa

“Rocky Horror” Waxes Winning & Warped in Santa Rosa

October 29, 2016 Jacob Dickerman

70s Cult Classic Bridges Decades of Decadence by Jacob G. Dickerman For two hours, Santa Rosa’s 6th Street Playhouse transforms into the most depraved place in the Bay Area—and that’s saying a lot!  In a debauched presentation of Richard O’Brien’s “The Rocky Horror Show,” Director Craig A. Miller encourages the house to unleash their…

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“It Can’t Happen Here” Happens at Berkeley Rep: Two Views

“It Can’t Happen Here” Happens at Berkeley Rep: Two Views

October 7, 2016 Jacob Dickerman

Acting and Activism Meet in Depression Era Fantasy by Jacob G. Dickerman & Barry David Horwitz Sinclair Lewis’s 1935 novel It Can’t Happen Here still resonates with us 80 years later. The novel, adapted for the stage in 1936, by Lewis, himself, and John C. Moffitt, has been rewritten by Berkeley Rep’s Tony Taccone…

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Jacob G. Dickerman

Jacob G. Dickerman

July 5, 2016 Jacob Dickerman

Jacob G. Dickerman has written for local publications The Daily Californian and Bulbes. A fifth year student at UC Berkeley, Jacob puts the super in super senior and the ic in critic. He studies music cognition and creative writing, and he has an amorous relationship with grammar.

Current Shows

  • “Hamlet” Highlights Corruption in Surveillance State—at SPARC
  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino
  • “Absolutely Science Fiction!” Blasts Off with Strangely Familiar Futures—at Z Space
  • “The Fre” Shows Conformity at Its Most Foolish—at OTP
  • “Arab Spring” Wrestles with Tradition vs. Modernity—at Golden Thread
  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Romeo & Juliet” Illuminates Personal & Political Connections—at The Public
  • “A Few Good Men” Engages in Hard Struggle for Truth—at Royal Underground
  • “Tiny Beautiful Things” Reveals Healing Power of Listening Deeply—at Town Hall
  • “Flight Risk” Offers a Master Class in Empathy—at The Marsh
  • “Girl, Interrupted” Exposes Machinery of Madness—at The Public
  • “The Lunchbox” A Musical Triumph Over Loneliness—at Berkeley Rep
  • “The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP
  • “Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse
  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT

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Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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