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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Philippa Kelly

Posts by Philippa Kelly

“Crumbs From the Table of Joy” Thrills & Moves—at Town Hall

“Crumbs From the Table of Joy” Thrills & Moves—at Town Hall

June 13, 2023 Philippa Kelly

Lynn Nottage’s 50s Memory Play Offers Inspiration in Hard Times by Philippa Kelly, Resident Dramaturg, California Shakespeare Theater In 1951, segregation was a social poison: What can two smart African American sisters expect from life in the U.S.?  Marriage? A job in the bakery, or as a domestic? Or freedom to think, work and…

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“Fun Home” Bursts with Love & Feeling—at Berkeley Playhouse

“Fun Home” Bursts with Love & Feeling—at Berkeley Playhouse

March 3, 2023 Philippa Kelly

Bechdel, Kron, Tesori Chart Musical Trail to Queer Identity by Bailey Huston, Umut Yalcinkaya, and Philippa Kelly Under William Thomas Hodgson’s subtle and beautiful direction, “Fun Home” shines with fresh feeling. The acting, singing and music captivate us, as father and daughter unfold their adventures of sexual self-discovery. Spinning through Alison’s coming out as…

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“Every Brilliant Thing” Shows We Are Not Alone—at OTP

“Every Brilliant Thing” Shows We Are Not Alone—at OTP

October 23, 2021 Philippa Kelly

William Hodgson Shines in Unique List of Life’s Delights by Philippa Kelly Cardboard boxes are stacked against the wall, sporting post-it notes, a life in storage. There’s a large rug, and four boxes that designer Karla Hargrave has built into an ingenious podium. Solo performer William Thomas Hodgson watches us, waiting to begin Duncan…

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“What’s in a Name”: Music & Storytelling Transform a Life—Streaming TheatreFirst

“What’s in a Name”: Music & Storytelling Transform a Life—Streaming TheatreFirst

August 7, 2021 Philippa Kelly

Jon Tracy Celebrates Lady Zen’s Magical Memories by Philippa Kelly The central Mexican city of Guanajuato has a strange history of unearthing the dead. It’s home to a “mummy museum” that houses bodies interred during a cholera outbreak in 1833. When a burial tax was imposed in around 1900, those who couldn’t afford to pay…

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Current Shows

  • “Come From Away”: A Layover Arouses Humanity—at TheatreWorks
  • “How to Make an American Son”: Hard-Working Dad vs. His Privileged Son—at NCTC
  • “Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP
  • “The Monsters”: An Intense Sibling Love Story—at Berkeley Rep
  • “Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse
  • “The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun
  • “Public Charge” Proves Diplomacy Is Difficult & Worth Pursuing—at The Public
  • “Macbeth” Updated to 70s New York, A Vital New Vision—at Magic
  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh
  • “Assassins” Reveals What Triggers Alienated Americans—at OTP
  • “||:Girls:||:Chance:||:Music:||” Celebrates Young Women Coming Up—at ACT
  • “Jesa”: Sisters’ Reunion Goes Inevitably Awry—at The Public
  • “Gods & Monsters” Evokes Tragedy & Laughter in Gay Hollywood Life—at NCTC
  • “Takes All Kinds” Celebrates US, with Wit & Wisdom—at The Marsh
  • “Antigone (This Play I Read in High School)” Transforms Tragedy—at The Public

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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