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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Patricia L. Morin

Posts by Patricia L. Morin

“Dear San Francisco” Wows with Kaleidoscopic Acrobatics—at Club Fugazi

“Dear San Francisco” Wows with Kaleidoscopic Acrobatics—at Club Fugazi

February 28, 2023 Patricia L. Morin

The 7 Fingers Integrates S.F. History with Breathtaking Feats  by Patricia L. Morin Club Fugazi houses a majestic theater designed in 1913 by Italian architect Italo Zanolini as a community center for Italians living in North Beach. Art has breathed life into this charming old theater for generations. Most recently “Beach Blanket Babylon” played…

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“The Headlands” Highlights Gap Between Memory & Reality—at ACT

“The Headlands” Highlights Gap Between Memory & Reality—at ACT

February 19, 2023 Patricia L. Morin

Christopher Chen Creates a Complex Mystery by Patricia L. Morin “The Headlands” captures us in an inventive murder mystery that intertwines a dysfunctional Asian American family with questionable memories of a burglary gone wrong. Playwright Christopher Chan cleverly splits his play into the impact of the father’s death and the unreliability of remembrances. How…

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“Rumors” Runs Rampant with Slapstick Comedy—at Coastal Rep

“Rumors” Runs Rampant with Slapstick Comedy—at Coastal Rep

February 12, 2023 Patricia L. Morin

Neil Simon’s Humor Unfolds Folly of Misunderstandings by Patricia L. Morin Neil Simon’s hilarious play “Rumors” has found its comedic niche with Coastal Rep’s talented ensemble. In a world filled with adversity and fear, natural disasters and nuclear threats, swimming in a sea of hilarity offers the perfect holiday. Rumors is the funniest show…

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“Sidekicked” Portrays the Pain of Playing Second Banana—at Sonoma Arts

“Sidekicked” Portrays the Pain of Playing Second Banana—at Sonoma Arts

February 8, 2023 Patricia L. Morin

Kim Powers’ Solo Play Spotlights Versatile Vivian Vance’s Career           by Patricia L. Morin “Sidekicked” spotlights vibrant Vivian Vance’s feelings about playing down-to-earth Ethel Mertz, second fiddle to Lucille Ball on the I Love Lucy show. It is the last performance of the show. We are drawn into Designer Michael Ross’s realistic 50s Hollywood…

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Current Shows

  • “You, Me & Tuscany” Launches Whimsy Black Girl Era—in Hollywood
  • “Manning” Summons Fantasy to Awaken Human Feelings—at CFT
  • “The Cook” Amazes with Bountiful Acting, Design, Direction—at Berkeley Rep
  • “Gloria: A Life” Depicts an Inspiring, Honest HER-story—Streaming PBS
  • “Public Record” Celebrates New Yorkers’ Bountiful Stories—at The Public
  • “The White Chip” A Kaleidoscope of Alcohol Dependence—at Marin
  • “The Rocky Horror Show” Immortalizes Tim Curry—at Studio 54, NY
  • “Julius Caesar” Spotlights the Cost of Political Violence—at Marin Shakes  
  • “The Prince Part 2” Reveals Evolution of Master Politician Machiavelli—at Central Works
  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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