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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Patricia L. Morin

Posts by Patricia L. Morin

“English” Evaluates the Power Behind a Single Test—at Berkeley Rep

“English” Evaluates the Power Behind a Single Test—at Berkeley Rep

April 10, 2023 Patricia L. Morin

Sanaz Toossi Exposes Clash of Language & Dreams by Patricia L. Morin You often hear Americans asking, “Do you know English?” Sanaz Toossi’s unique classroom play “English” spotlights the diverse meanings behind that single phrase. Near Tehran, in a class preparing Iranian students for the TOEFL (Test of English as a Foreign Language), we…

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“Dry Powder” Spotlights Wall Street Power-Brokers—at Left Edge

“Dry Powder” Spotlights Wall Street Power-Brokers—at Left Edge

March 23, 2023 Patricia L. Morin

Sarah Burgess Unfolds Conflicts in Corporate Takeover by Patricia L. Morin In the high-stakes private corporate world, “dry powder” is the phrase used for the cash the company has on-hand for swift investment buyouts. Named after gunpowder, the more cash reserves the venture capitalist has on hand, the more quickly the takeover can ignite….

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“Clue” Melds Mystery & Comedy into Entertaining Adventure—at SF Playhouse

“Clue” Melds Mystery & Comedy into Entertaining Adventure—at SF Playhouse

March 21, 2023 Patricia L. Morin

Sandy Rustin Makes Familiar Tale Unique and Hilarious by Patricia L Morin   Sandy Rustin’s “Clue,” based on the famous board game and the screenplay by Jonathan Lynn, exposes the fumbling, arrogant manipulators in this stylish, high comic farce. “Clue” onstage is a quick, sloppy, word-crafty, scream-filled, finger-pointing, creaking-door delight. Scenic Designer Heather Kenton’s huge…

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“’Tasha” Tackles Raw Racism—at 3Girls

“’Tasha” Tackles Raw Racism—at 3Girls

March 13, 2023 Patricia L. Morin

Cat Brooks Offers One Woman’s View of Horrifying Police Brutality by Patricia L. Morin and Karen Marguerite Caronna We are immediately greeted, entering Z Below’s intimate space, to a photo slideshow of deceased Black women and men, all murdered victims of police brutality. Solemn music plays and screams can be heard. We are warned…

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Current Shows

  • “You, Me & Tuscany” Launches Whimsy Black Girl Era—in Hollywood
  • “Manning” Summons Fantasy to Awaken Human Feelings—at CFT
  • “The Cook” Amazes with Bountiful Acting, Design, Direction—at Berkeley Rep
  • “Gloria: A Life” Depicts an Inspiring, Honest HER-story—Streaming PBS
  • “Public Record” Celebrates New Yorkers’ Bountiful Stories—at The Public
  • “The White Chip” A Kaleidoscope of Alcohol Dependence—at Marin
  • “The Rocky Horror Show” Immortalizes Tim Curry—at Studio 54, NY
  • “Julius Caesar” Spotlights the Cost of Political Violence—at Marin Shakes  
  • “The Prince Part 2” Reveals Evolution of Master Politician Machiavelli—at Central Works
  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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