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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Victor Cordell

Posts by Victor Cordell

“Nora” Stages a Bold, Modern Exit, at Shotgun Players, Berkeley

“Nora” Stages a Bold, Modern Exit, at Shotgun Players, Berkeley

April 7, 2017 Victor Cordell

Ingmar Bergman Streamlines Ibsen’s Classic “A Doll’s House” by Victor Cordell A house is not a home “Nora, you are first a wife and mother.”  “No, Torvald, I am first a human being.”  Such is the essence of conflict in Henrik Ibsen’s classic play “A Doll’s House.”  Conventional thinking in late 19th century Norway…

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“Noises Off” and Laughter On, at San Francisco Playhouse

“Noises Off” and Laughter On, at San Francisco Playhouse

March 27, 2017 Victor Cordell

Michael Frayn Tickles the Underbelly of Theater by Victor Cordell Give farce a chance. Let’s start by accepting that farce is not everyone’s cup of tea.  That said, farce comes in different sizes and flavors.  Michael Frayn’s much honored “Noises Off” succeeds because its writing crackles; it employs all manner of comedy; and its…

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Victor Cordell

Victor Cordell

June 29, 2016 Victor Cordell

Victor Cordell writes theater and opera criticism for online publication. A retired international banker and professor, he has been a life long theater and opera lover who has gravitated to live performance wherever he has lived, including New York, London, Hong Kong, Sydney, Houston, the Bay Area, and more. He is a member of…

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NEWER POSTS

Current Shows

  • “The Cook” Amazes with Bountiful Acting, Design, Direction—at Berkeley Rep
  • “Gloria: A Life” Depicts an Inspiring, Honest HER-story—Streaming PBS
  • “Public Record” Celebrates New Yorkers’ Bountiful Stories—at The Public
  • “The White Chip” A Kaleidoscope of Alcohol Dependence—at Marin
  • “The Rocky Horror Show” Immortalizes Tim Curry—at Studio 54, NY
  • “Julius Caesar” Spotlights the Cost of Political Violence—at Marin Shakes  
  • “The Prince Part 2” Reveals Evolution of Master Politician Machiavelli—at Central Works
  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda
  • “Little BIG Mouth” Pays Tribute to Women Artists—at The Marsh
  • “The Prince” Pits Power-Crazed Duke vs. Mad Monk—at Central Works

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Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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