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Theatrius

Theater Reviews – San Francisco and Beyond

“Time Sensitive”—A Poem of Apocalyptic Dread, at Ragged Wing, Oakland

“Time Sensitive”—A Poem of Apocalyptic Dread, at Ragged Wing, Oakland

April 11, 2019 Carly Van Liere

Millennial Notes

 Amy Sass Articulates Our Tick-Tock Time Anxieties

by Carly Van Liere

An iceless world with a city skyline that reaches the horizon . . . We’ve seen this prediction in every post-apocalyptic sci-fi story, from “Wall-E” to “Oblivion.” Ragged Wing Ensemble’s “Time Sensitive” conjures this dystopian vision with intense choreography and a wicked cadence.

A chorus of businessmen and women stand, arranged on stone risers. They recite stanzas invoking capitalist chaos: “Need something get something QUICK!” They each jab their arms outwards, urgently clenching their closed fists. The angles of their arms create a living sculpture. Ensemble-based moments like this match our smart-phone-driven Need for Speed, satisfying and fun to watch.

Keith Cory Davis, Perry Fenton, and Mary Matabor. Photos by Serena Morelli

The tapping of melting ice underscores the first-world frenzy, as droplets hit the tin plates beneath several ice sculptures. The tennis court shaped stage is decorated with ghostly slabs of ice, designed by Carter Brooks. Some hang wrapped in metal chains, melting while bound.

The world of the show does not seem far away. The dystopian divide between the rectangular high-rise bankers and the cracked sidewalk street-dwellers opens wide. The divide is opening ever wider on the streets of San Francisco. The frantic pace of the show mirrors our manic typing and one-click-buying culture.

Rachel Brown as Employee One.

Standout performances include The Clockmaker (electric Simone Bloch) and the robot-assistant KID (perky Keith Davis). The entire cohesive cast shines as a unit.

The chorus chants beautiful hymns with dark circles under their eyes. All the while, we hear the tapping of the melting ice. Intense, poetic, and highly physical, this performance piece boasts symbolic critiques of capitalism. And the intense show illustrates our warped sensibility of Time.

Photos by Serena Morelli

“Time Sensitive” written and directed by Amy Sass, at The Flight Deck, Oakland, California, through Saturday, May 4, 2019. Info: raggedwing.org

Cast: Simone Bloch, Rachel Brown, Keith Cory Davis, Jordan María Don, Perry Fenton, Akaina Ghosh, Mary Matabor, Alicia Piemme Nelson, Emmy Elizabeth Pierce, Kaylamay Paz Suarez, Alex Trono, and Joshua Waterstone.

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Millennial Notes, Plays
art, business, Capitalism, climate change, Dance, dystopia, Future, glaciers, melting, Science, skyskrapers, spectacle

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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