Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“Time Sensitive”—A Poem of Apocalyptic Dread, at Ragged Wing, Oakland

“Time Sensitive”—A Poem of Apocalyptic Dread, at Ragged Wing, Oakland

April 11, 2019 Carly Van Liere

Millennial Notes

 Amy Sass Articulates Our Tick-Tock Time Anxieties

by Carly Van Liere

An iceless world with a city skyline that reaches the horizon . . . We’ve seen this prediction in every post-apocalyptic sci-fi story, from “Wall-E” to “Oblivion.” Ragged Wing Ensemble’s “Time Sensitive” conjures this dystopian vision with intense choreography and a wicked cadence.

A chorus of businessmen and women stand, arranged on stone risers. They recite stanzas invoking capitalist chaos: “Need something get something QUICK!” They each jab their arms outwards, urgently clenching their closed fists. The angles of their arms create a living sculpture. Ensemble-based moments like this match our smart-phone-driven Need for Speed, satisfying and fun to watch.

Keith Cory Davis, Perry Fenton, and Mary Matabor. Photos by Serena Morelli

The tapping of melting ice underscores the first-world frenzy, as droplets hit the tin plates beneath several ice sculptures. The tennis court shaped stage is decorated with ghostly slabs of ice, designed by Carter Brooks. Some hang wrapped in metal chains, melting while bound.

The world of the show does not seem far away. The dystopian divide between the rectangular high-rise bankers and the cracked sidewalk street-dwellers opens wide. The divide is opening ever wider on the streets of San Francisco. The frantic pace of the show mirrors our manic typing and one-click-buying culture.

Rachel Brown as Employee One.

Standout performances include The Clockmaker (electric Simone Bloch) and the robot-assistant KID (perky Keith Davis). The entire cohesive cast shines as a unit.

The chorus chants beautiful hymns with dark circles under their eyes. All the while, we hear the tapping of the melting ice. Intense, poetic, and highly physical, this performance piece boasts symbolic critiques of capitalism. And the intense show illustrates our warped sensibility of Time.

Photos by Serena Morelli

“Time Sensitive” written and directed by Amy Sass, at The Flight Deck, Oakland, California, through Saturday, May 4, 2019. Info: raggedwing.org

Cast: Simone Bloch, Rachel Brown, Keith Cory Davis, Jordan María Don, Perry Fenton, Akaina Ghosh, Mary Matabor, Alicia Piemme Nelson, Emmy Elizabeth Pierce, Kaylamay Paz Suarez, Alex Trono, and Joshua Waterstone.

Sign up for FREE reviews
in your mailbox.

Check your inbox or spam folder to confirm your subscription.


Millennial Notes, Plays
art, business, Capitalism, climate change, Dance, dystopia, Future, glaciers, melting, Science, skyskrapers, spectacle

Post navigation

NEXT
“The Diary of Anne Frank”—Life in the Face of Fear, at Center REP, Walnut Creek
PREVIOUS
“The Jungle” Wakes US to Global Refugee Crisis, at The Curran, S.F.
Comments are closed.

Current Shows

  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino
  • “Absolutely Science Fiction!” Blasts Off with Strangely Familiar Futures—at Z Space
  • “The Fre” Shows Conformity at Its Most Foolish—at OTP
  • “Arab Spring” Wrestles with Tradition vs. Modernity—at Golden Thread
  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Romeo & Juliet” Illuminates Personal & Political Connections—at The Public
  • “A Few Good Men” Engages in Hard Struggle for Truth—at Royal Underground
  • “Tiny Beautiful Things” Reveals Healing Power of Listening Deeply—at Town Hall
  • “Flight Risk” Offers a Master Class in Empathy—at The Marsh
  • “Girl, Interrupted” Exposes Machinery of Madness—at The Public
  • “The Lunchbox” A Musical Triumph Over Loneliness—at Berkeley Rep
  • “The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP
  • “Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse
  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT
  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Sign up for FREE reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.