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Theater Reviews—San Francisco and Beyond

“Sister Act: The Musical” Hits Drag Heights, at Theatre Rhino, S.F.    

“Sister Act: The Musical” Hits Drag Heights, at Theatre Rhino, S.F.    

May 29, 2019 Robert M. Gardner

Brenden Noel Thomas Breaks Taboos, Shocks, & Delights

by Robert M. Gardner

Whoopi Goldberg did it on film, and now Brenden Noel Thomas in nun-drag is every inch the ideal choice for Sister Deloris we could imagine! With a  beautiful delivery of each song, and an inspiring presence, Thomas delivers a hilarious performance,

Thomas is an irrepressible force of nature. Blessed with tremendous vocal range, an impressive set of lungs and irrepressible slapstick, Thomas redefines Sister Deloris Van Cartier.

Director and Choreographer Aejay Mitchell pulls out all the stops on this gender-bending romp. Impressive Drag Queens and nuns trans-form “Sister Act: The Musical” into a ground-breaking queer musical.  

“Sister Act: The Musical” Photos by David Wilson

Theatre Rhino’s inspired adaptation of the 1992 movie is a hoot, and the jokes range from the banal to the irreverent to the sublime. What’s not to like about a chorus line of dancing nuns?

Mother Superior (Kim K Larson) provides solid support to Thomas’ powerful lead. Larsen absolutely shines in a  song lamenting Sister Deloris’ disruptions among the nuns. As the , cross-dressing Mother Superior, Larson channels delicious irony in her genuine display of piety, as she plaintively sings, “I Haven’t Got a Prayer.”

The Dancing Nuns, with Branden Noel Thomas (Sister DeLoris)

Scenic Designer Erik Flatmo deserves praise for his brilliant blue tinsel curtain that  creates the mood for the nightclub scenes.  When pulled aside, the tinsel reveals the convent’s weathered benches, a  perfect contrast between club and church.

Music by Alan Menken and lyrics by Glenn Slater place  powerful, foot-stomping musical solidly in the blues and gospel tradition. The cast’s enthusiastic performances sweep us up, as  Deloris passionately directs the Chorus of Nuns—a brilliant scene.

When she meets the Police Lieutenant (conflicted Jarrett Holley), Deloris calls him “Sweaty Eddie,” after her painfully shy admirer from high school. The cop shares his angst, singing,  “I Could Be That Guy.”

The fast-paced action flies by, making “Sister Act” into a two-act cyclone.  Director Mitchell leaves us wanting more of the exuberant music and fun. We want to see more of Brenden Noel Thomas who stands out with superb acting, singing, and action. Don’t miss it.

 

“Sister Act: The Musical”—directed by Aejay Mitchell, book by Cheri Steinkellner and Bill Steinkellner, additional book material by Douglas Carter Beane, musical direction by Tammy L. Hall, by Theatre Rhinoceros, at Gateway Theater, San Francisco, through Saturday, June 1, 2019.  Info: therhino.org

Cast: Abraham Baldonado, Abigail Campbell, Joyce Domanico-Huh, Jarrett Holley, Kim K Larsen, Crystal Liu, Paul Loper, Lisa McHenry, Claire Pearson, John Charles Quimpo, Jasmine Robinson, Anna Smith, Branden Noel Thomas, and Dee Wagner.

Banner photo: Kim K Larsen and Branden Noel Thomas.


Musical
blues, Catholic Church, church, comedy, disruption, drag, gay, gospel, Musical, nuns, patriarchy, Satire

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