Theatrius
  • ~ Plays to See ~
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“The 39 Steps” Offers Mystery & Magic, at TheatreWorks, Mountain View

“The 39 Steps” Offers Mystery & Magic, at TheatreWorks, Mountain View

August 27, 2019 Jose Martin Aveldanes

Millennial Notes

Leslie Martinson Turns People & Props into Time Travelers

by Jose Martin Aveldanes

After a night out in an London musical hall in 1935, a banal Englishman, Richard Hannay (elegant Lance Gardner), meets a mysterious, soon-to-be-murdered German woman. In the satirical and comic “The 39 Steps,” which spoofs the Hitchcock movie, Hannay is soon accused of her murder.

The persecuted Hannay flees to Scotland, and en route, Director Leslie Martinson gives us dramatic train rides, clever car crashes, and surprise airplane attacks. Our befuddled Englishman encounters incomprehensible Scottish folks—whose thick accents provoke funny misunderstandings. Between Hannay’s sweaty anxiety and the Scots’ Laurel & Hardy tactics, we fall into delightful fits of laughter.

Scenic Designer David Lee Cuthbert strikes brilliant magical notes—a giant clock turns into a Christmas ornament and a villain meets his doom in a gun brawl. Oh! a puppet falls to his death, while a Nazi has an evil plan. Magic is everywhere: A ladder transforms itself into a train, mops become spies in trench coats, and the clock changes into the moon!

Director Leslie Martinson offers us the opportunity to travel back in time to a 1930s European mystery. “The 39 Steps” draws us in by constantly surprising and activating our imaginations. In that Cockney Music Hall, under the watchful eye of the emcee (witty Ron Campbell), Hannay watches Mr. Memory, an illusionist, superbly played by sprightly Cassidy Brown. Mr. Memory’s amazing mental powers find answers to obscure, funny questions, making us giggly.

An audience member asks Mr. Memory: “Who won the Cup in 1926?” Mr. Memory starts gesturing and moving his hands around, to show he’s thinking deeply. He points a finger in the air, swoops it down, then sweepsleft and right in a rectangular fashion. He replies: “The Tottenham Hotspurs won the cup in 1926 . . . in the presence of His Majesty King George the Fifth.” Brown’s enthusiastic silliness prepares us for what follows.

At the music hall, a fight breaks out and German Fräulein Annabella Schmidt (seductive Annie Abrams) takes refuge in the Englishman’s flat. “The 39 Steps” goes from comedy to soap opera in a few seconds!

The chic Schmidt confides that she caused the fight in the music hall. She refuses to disclose more details because then, Hennay would “BEE COME inFOLVED!” Her thick German accent leaves us laughing. Oddities of language play a big role in “The 39 Steps.”

All four letter-perfect actors shift flawlessly from one role to another: conductors turn into passengers, passengers into policemen, and uniforms into people. Each actor plays multiple characters in the blink of an eye, while being outrageously funny with quick changes and quirky props.

If you’re looking for magic realism, brilliant acting, and a drama involving foreign intelligence agents, you have found the right comic masterpiece.

“The 39 Steps”—adapted by Patrick Barlow, from the novel by John Buchan, from the movie of Alfred Hitchcock, directed by Leslie Martinson, scenic design by David Lee Cuthbert, at TheatreWorks, Silicon Valley, Mountain View, California, through Sunday, September 15, 2019. Info: theatreworks.org

Cast: Annie Abrams, Cassidy Brown, Ron Campbell, and Lance Gardner.


Millennial Notes, Plays
comedy, exploitation, Identity, justice, magic, Nazis, politics, power, Romance, Satire, spectacle, War, WWII

Post navigation

NEXT
“Ma Rainey’s Black Bottom” Refuses to Bow to Whites, at Multi Ethnic Theater, S.F.
PREVIOUS
“Clean House” Uncovers More than Dust, at Altarena Playhouse, Alameda
Comments are closed.

Current Shows

  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT
  • “Come From Away”: A Layover Arouses Humanity—at TheatreWorks
  • “How to Make an American Son”: Hard-Working Dad vs. His Privileged Son—at NCTC
  • “Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP
  • “The Monsters”: An Intense Sibling Love Story—at Berkeley Rep
  • “Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse
  • “The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun
  • “Public Charge” Proves Diplomacy Is Difficult & Worth Pursuing—at The Public
  • “Macbeth” Updated to 70s New York, A Vital New Vision—at Magic
  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh
  • “Assassins” Reveals What Triggers Alienated Americans—at OTP
  • “||:Girls:||:Chance:||:Music:||” Celebrates Young Women Coming Up—at ACT
  • “Jesa”: Sisters’ Reunion Goes Inevitably Awry—at The Public
  • “Gods & Monsters” Evokes Tragedy & Laughter in Gay Hollywood Life—at NCTC
  • “Takes All Kinds” Celebrates US, with Wit & Wisdom—at The Marsh

Menu

  • ~ Plays to See ~
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

© 2026   All Rights Reserved.