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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Jose Martin Aveldanes

Posts by Jose Martin Aveldanes

“Caroline, or Change”—Exuberant Musical on Black Liberation, at Ray of Light, S.F.

“Caroline, or Change”—Exuberant Musical on Black Liberation, at Ray of Light, S.F.

September 20, 2019 Jose Martin Aveldanes

Millennial Notes Kushner & Tesori’s Boy & Maid Both Outsiders in 60s U.S. by Jose Martin Aveldanes Deprivation lies at the heart of 60s America, whether it follows color, gender, or social class. In “Caroline, or Change,” eight-year-old Noah is deprived of love; his stepmother Rose seeks independence; and their Black maid, Caroline, seeks reprieve…

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“The 39 Steps” Offers Mystery & Magic, at TheatreWorks, Mountain View

“The 39 Steps” Offers Mystery & Magic, at TheatreWorks, Mountain View

August 27, 2019 Jose Martin Aveldanes

Millennial Notes Leslie Martinson Turns People & Props into Time Travelers by Jose Martin Aveldanes After a night out in an London musical hall in 1935, a banal Englishman, Richard Hannay (elegant Lance Gardner), meets a mysterious, soon-to-be-murdered German woman. In the satirical and comic “The 39 Steps,” which spoofs the Hitchcock movie, Hannay…

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Jose Aveldanes

Jose Aveldanes

May 15, 2019 Jose Martin Aveldanes

Jose Martin Aveldanes is a doctoral student in Sociology at the University of California, Berkeley. He is a fitness enthusiast, an avid reader, concert-goer, and social butterfly interested in the arts. He mainly spends his time reading literature that deals with the issue of social class, children’s outcomes, and the institution of the family…

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Current Shows

  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT
  • “Come From Away”: A Layover Arouses Humanity—at TheatreWorks
  • “How to Make an American Son”: Hard-Working Dad vs. His Privileged Son—at NCTC
  • “Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP
  • “The Monsters”: An Intense Sibling Love Story—at Berkeley Rep
  • “Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse
  • “The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun
  • “Public Charge” Proves Diplomacy Is Difficult & Worth Pursuing—at The Public
  • “Macbeth” Updated to 70s New York, A Vital New Vision—at Magic
  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh
  • “Assassins” Reveals What Triggers Alienated Americans—at OTP
  • “||:Girls:||:Chance:||:Music:||” Celebrates Young Women Coming Up—at ACT
  • “Jesa”: Sisters’ Reunion Goes Inevitably Awry—at The Public
  • “Gods & Monsters” Evokes Tragedy & Laughter in Gay Hollywood Life—at NCTC
  • “Takes All Kinds” Celebrates US, with Wit & Wisdom—at The Marsh

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Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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