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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Jose Martin Aveldanes

Posts by Jose Martin Aveldanes

“Caroline, or Change”—Exuberant Musical on Black Liberation, at Ray of Light, S.F.

“Caroline, or Change”—Exuberant Musical on Black Liberation, at Ray of Light, S.F.

September 20, 2019 Jose Martin Aveldanes

Millennial Notes Kushner & Tesori’s Boy & Maid Both Outsiders in 60s U.S. by Jose Martin Aveldanes Deprivation lies at the heart of 60s America, whether it follows color, gender, or social class. In “Caroline, or Change,” eight-year-old Noah is deprived of love; his stepmother Rose seeks independence; and their Black maid, Caroline, seeks reprieve…

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“The 39 Steps” Offers Mystery & Magic, at TheatreWorks, Mountain View

“The 39 Steps” Offers Mystery & Magic, at TheatreWorks, Mountain View

August 27, 2019 Jose Martin Aveldanes

Millennial Notes Leslie Martinson Turns People & Props into Time Travelers by Jose Martin Aveldanes After a night out in an London musical hall in 1935, a banal Englishman, Richard Hannay (elegant Lance Gardner), meets a mysterious, soon-to-be-murdered German woman. In the satirical and comic “The 39 Steps,” which spoofs the Hitchcock movie, Hannay…

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Jose Aveldanes

Jose Aveldanes

May 15, 2019 Jose Martin Aveldanes

Jose Martin Aveldanes is a doctoral student in Sociology at the University of California, Berkeley. He is a fitness enthusiast, an avid reader, concert-goer, and social butterfly interested in the arts. He mainly spends his time reading literature that deals with the issue of social class, children’s outcomes, and the institution of the family…

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Current Shows

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  • “The Cook” Amazes with Bountiful Acting, Design, Direction—at Berkeley Rep
  • “Gloria: A Life” Depicts an Inspiring, Honest HER-story—Streaming PBS
  • “Public Record” Celebrates New Yorkers’ Bountiful Stories—at The Public
  • “The White Chip” A Kaleidoscope of Alcohol Dependence—at Marin
  • “The Rocky Horror Show” Immortalizes Tim Curry—at Studio 54, NY
  • “Julius Caesar” Spotlights the Cost of Political Violence—at Marin Shakes  
  • “The Prince Part 2” Reveals Evolution of Master Politician Machiavelli—at Central Works
  • “R.O.I.” Reveals Hypocrisy of Impact Investing—at SF Playhouse
  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda
  • “Little BIG Mouth” Pays Tribute to Women Artists—at The Marsh

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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