Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“20/20” Envisions Post-Trump Future, at S.F. Fringe Festival

“20/20” Envisions Post-Trump Future, at S.F. Fringe Festival

September 14, 2019 Fritz Mad'Laine

Millennial Notes

Doherty & Barclay Reclaim Participation in Politics

by Fritz Mad’Laine

As the final numbers trickled in on the night of the 2016 election, Americans watched in horror as a washed-up reality TV star and crypto-fascist became President. Now, with the spectre of another term looming, the fate of our democracy hangs in the balance.

Stardust Doherty and Kari Barclay’s new interactive play “20/20” brings this harsh reality into focus. At the S.F. Fringe Festival’s intimate EXIT Theatre, I find myself involuntarily transported to a Trump rally. American flags are strung across the stage, as the Cheeto himself (hilariously on-point Ryan Samarakoon) mounts the podium to announce his re-election. Voices cheer and chant slogans I’d hoped never to hear again—a gut-wrenching premonition of Trump’s upcoming Bay Area descent.

“20/20” allows us to choose our adventure. As 45 exits, we get to vote on our fate—with options ranging from electoral progress, to political revolution, to simply sitting back and doing nothing. The top three scenarios—impeachment, assassination, and general strike—appear back-to-back, each more and more outlandish.

We see the future through the eyes of Anna and Soche (sympathetic Jess Thompson and Nadeem Anjum), a married couple in SF. Their world is a thinly veiled distortion of ours, ruled by companies like GooAppleZon and McChicFilKing. Grasping for normalcy, they kiss through N95 masks at their wedding, while California burns all around them.

We begin at an impeachment hearing, where Adolf Twitler faces indictment for a most heinous crime. No, not sexual misconduct or colluding with Russia—but “Twitting” insults at fellow Republicans. Swept up in the campy, over-the-top acting and quirky dialogue, my elation turns to dread as Pence assumes office, and extremists round up queer folks and send them to internment camps.

Theatre Makers creates enough emotional distance to pull off the stunt, keeping the tone silly and surreal—even as they stage our worst fears. Before we can recover, we find ourselves howling as an endearing assassin creeps around to the Pink Panther theme song, pussyhat at the ready, rocket launcher bulging from beneath her trench coat.

The best writing appears in the most radical future: the general strike. Just as we’ve gotten comfortable with the idea of sitting on the couch to fight for change, the notorious Mr. ZuckerGates (Samarakoon) uses “Alexis” to cross picket lines within our homes—by tricking us into ordering pizzas. Puns about toppings take center stage, and our laughter allows us to see echoes of the real Surveillance State.

The skits bring up some hard-hitting questions: What are we willing to sacrifice for our freedom? How much autonomy have we already given up? I left wishing I had seen even more scenarios, and that audiences had been challenged to vote further outside the system.

“20/20” is full of side-splitting jokes and wacky antics, satirizing American culture and how quickly we’ve accepted life under fascism. But embedded in all this is a devastating critique of the U.S.—probing more deeply into the heart of our political predicament than SNL ever could.

Unlike most progressive plays, “20/20” does not offer any one solution. Instead, Theatre Makers invites us to engage in a thought experiment about the not-so-distant future. They do what the American electoral system has failed to do: leave the decision in our hands.

“20/20” by Stardust Doherty and Kari Barclay, directed by Stardust Doherty, by Theatre Makers, at the S.F. Fringe Festival, at EXIT Theatre, 156 Eddy Street, San Francisco, through Saturday, September 14, 2019. Info: sffringe.org

Cast: Geeta Rai, Ryan Samarakoon, Jess Thompson, Dennie Warren, Nadeem Anjum, David-Henry Bennett, Matt and Hima Menon.


Millennial Notes, Plays

Post navigation

NEXT
“The Humans”—Comedy of the American Nightmare, at Novato Theater Co.
PREVIOUS
“Wheels on the Bus” Gets Young Gears Turning, at BACT, Berkeley
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Subscribe for upcoming reviews!
Loading

Current Shows

  • “Who’s Afraid of Virginia Woolf?” Revives Marital Mayhem—at OTP
  • “Yerma” Lays Waste to Idealized Visions of Family Life—at Shotgun
  • “The Tempest” Shines at Revitalized John Hinkel Park—by Inferno
  • “Let the Right One In”: Shocking Story of Vampires in Our Lives—at Berkeley Rep
  • “I’ll Eat You Last” Serves Up Power, Fame, Obsession—at Spindrift 
  • “Chinglish” Mingles Language & Politics in Brilliant Comedy—at SF Playhouse
  • “Exhaustion Arroyo”: A Trip from Pizza Slavery to Redwood Heaven—at Cutting Ball
  • “The N— Lovers” Calls Out White Myths with Great Comedy—at The Magic
  • “shadow/land” Celebrates Joy in the Face of Disaster—at The Public, N.Y.
  • “Where Did We Sit on the Bus?” Rolls to a Stop—at MTC
  • “The Producers” Soars with Spectacular Satire & Song–at Hillbarn
  • “Boeing Boeing” Flies Us into Deception & Folly—at Benicia
  • “Cyrano”: A Beautiful Romance for the Ages—at Aurora
  • “Poor Yella Rednecks” Sprinkles Slang & Spice in Viet Struggle –at ACT
  • “To Master the Art” Blends French Food, U.S. Politics, & Love—at CCCT

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

© 2023   All Rights Reserved.