Theatrius
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Search Icon

Theatrius

Theater Reviews—San Francisco and Beyond

“The Crucible”: Bold Staging Exposes Big Lies—at Oakland

“The Crucible”: Bold Staging Exposes Big Lies—at Oakland

September 17, 2022 Lynne Stevens

Arthur Miller’s 50s Warnings Resonate in 21st Century

by Lynne Stevens

Arthur Miller had the Big Red Scare in mind when he wrote “The Crucible” in 1953. Miller depicts the Salem Witch Trials in Massachusetts, but he was addressing the outrage of MacCarthyism in the 50s. The accusations of witchcraft represent the Big Lie of Miller’s time.

Today we have another Big Lie among other alarming nonsense. Oakland Theater Project’s bold new “Crucible” offers us a blueprint for exposing lies using critical thinking.

Scenic Designer Karla Hargrave’s wild forest consists of a glass box. Inside, there’s one scraggly, tortured tree and red bark on the floor—looking like a specimen container. Anyone who enters the glass cage is scrutinized or on trial.

The judges sit on a raised platform on three sides of theater, contributing to the sense of intimidation. We must peel back several layers to get to the truth—or, until the self-righteous Puritan judges are satisfied.

Paige Mayes (Tituba) & Rebecca Pingree (Thomas Putnam). Photos: David Flores II

Some of the young accusers try to blame Tituba (lithe Paige Mayes), a slave from Barbados, who sings and dances hypnotically in a silky red slip, inciting charges of witchcraft. Red is for danger!

As in Footloose, heaven forbid there should be dancing! Must be the work of the devil. Mayes brings Tituba alive as an exotic foreigner compared to the citizens of Salem, who wear stark black and white. Kudos to Costume Designer Martha Powell.

Puritan society in Massachusetts was controlled by men who attempted to regulate citizens’ morality using surveillance. To stay in good standing with the church, neighbors were compelled to spy on each other. Ironically, the Puritans who left Britain for religious freedom became rigid and oppressive in the U.S.

Ije Success as Abigail Williams, one of the accusers

Allegations of witchcraft are damaging to Reverend Parris (forceful Becca Fink), so he engages Reverend John Hale (impressive Jessa Brie Morena) to delve into these “supernatural” events.  Morena takes us on the revealing journey of one minister who finally uncovers the truth.

As Music Director, Fink plays Philip Glass inspired, repetitive music which cues our emotions as tension mounts. We are also bombarded by foot stomping and angry screaming from the reverends and judges, prompted by hysteria and fear. But the ritual stomping and loud shouting make their words hard to understand.

Director Michael Socrates Moran guides his all-female, multi-cultural cast through a physically rigorous production. Vengeance, misogyny, and greed motivate both the Puritan judges and accusers.

Lisa Ramirez (John Proctor) & Halili Knox (Elizabeth Proctor)

When John Proctor (swaggering Lisa Ramirez) and his “good wife” Elizabeth Proctor (dignified Halili Knox) are accused of witchcraft, they are shocked and dismayed. They never saw those sorcery or political accusations coming. Their accusers—wonderfully played by Kamaile Ainas-Benson, Ije Success, and Romeo Channer—strike terror and compassion in our hearts.

Lighting Designer Stephanie Anne Johnson projects lines from the play on the white brick walls for emphasis. The writing is on the wall. And at a climactic moment, ominous silhouettes of birds emerge.

See this bold “Crucible.” The setting, the anger, and the familiar accusations make this production relevant to confronting today’s “Big Lies.”


“The Crucible”
by Arthur Miller, directed by Michael Socrates Moran, at Oakland Theater Project, at Flax Art & Design, Oakland, California. Info: OaklandTheaterProject.org – to September 25, 2022.

Cast: Kamaile Alnas-Benson, Lex Anderson, Rolanda Bell, Margo Lusinchi, Mylo Cardona, Romeo Channer, Bekka Fink, Halili Knox, Paige Mayes, Jessa Brie Moreno, Kendra Owens, Rebecca Pingree, Lisa Ramirez, and Ije Success.

Banner photo: Paige Mayes, Lisa Ramirez, and Rolanda Bell. Photos by David Flores II


#BLM, Plays
#BLM, Civil Rights, Colonialism, Dance, exploitation, Family, feminism, hope, Identity, Immigrants, Imperialism, justice, love, marriage, patriarchy, politics, power, race, racism, religion, sex, social class, Wealth, wit, women, Women's Rights, workers

Post navigation

NEXT
“Always…Patsy Cline” Makes Us Love Her Like ‘Crazy’—at Center REP
PREVIOUS
“Man of God” Wins Our Hearts with Charm & Wit—at Shotgun
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us

BLM

Black Lives Matter

Subscribe for upcoming reviews!
Loading

Current Shows

  • “Slow Food”: Three Superb Actors Serve Up Quick Laughs—at Altarena
  • “The Indigo Room” Magically Translates Indigenous Stories—at La MaMa, N.Y.
  • “The Never Too Late Show”: Tales of Hilarious Homeboy in Hollywood—at The Marsh
  • “Poetic Justice” Exalts Passionate Modern Poets—at The Marsh
  • “As You Like It”: Weaves Past & Future in Magical Forest—at SF Playhouse
  • “Beetlejuice, The Musical” Parties Hard and Fast—at BroadwaySF
  • “Hailie!” Celebrates the Queen of Gospel’s Triumphs—at Lorraine Hansberry
  • “Little Shop of Horrors”: Killer Plant Blooms in Chinatown—at TheatreWorks
  • “Ham for the Holidays” Lightens the Heart—at Main Stage West 
  • “Remember This: The Lesson of Jan Karski” Is Unforgettable—at Berkeley Rep
  • “A Year with Frog and Toad”: Episodes of Woodland Friendship—at BACT
  • “Shoshana in December”: A Holiday Musical for Jews & Polyamors—at Custom Made
  • “Wuthering Heights” Takes Us from Darkness to Light—at Berkeley Rep
  • “Natasha, Pierre & Great Comet of 1812”: A Musical Triumph—at Shotgun
  • “Two Trains Running” Celebrates Civil Rights Era Black Bravery—at MTC

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC. Follow us on: facebook.com

© 2023   All Rights Reserved.