Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“Falsettos” Harmonizes the History of Love, at SHN, S.F.

“Falsettos” Harmonizes the History of Love, at SHN, S.F.

March 24, 2019 Evelyn Arevalo

Finn & Lapine Make Musical Magic from 80s Outsiders

by Evelyn Arevalo & Barry David Horwitz

The “Falsettos” New York Jewish family and their friends live on the margins of 80s mainstream hetero life. The seven top flight actors express themselves in funny, regretful songs and in hilarious dance moves. Playing witty Seinfeld-type characters—gay and straight, old and young, they undergo startling life changes.

As they evolve, we realize that both gay and straight couples were forced to live false lives—at a high emotional pitch. The comic and touching songs fill the show with joy: the opener “Four Jews in a Room Bitching”; the gay love song “Thrill of First Love”; the hilarious “March of the Falsettos,” and many more. It’s Seinfeld set to unforgettable music.

Max von Essen and Nick Adams. Photos by Joan Marcus

Designer David Rockwell has the actors shifting giant gray Legos to form rooms. As they slide their little world around, “Falsettos” displays the fleeting qualities of love. Beautifully tragic, “Falsettos” thrusts us into the hectic lives of a small Jewish family. Manipulative dad Marvin (powerful Max Von Essen) abandons his adoring wife Trina (emotional Eden Espinosa) for seductive Whizzer (charming Nick Adams).

Trina is bitter, Marvin is confused, and they must confront their firecracker 12-year-old son Jason (Thatcher Jacobs). The bright New York City kid rejects his divorced parents—but he takes a liking to Marvin’s lover Whizzer. When they all sing, “Everyone Tells Jason to See a Psychiatrist,” the house rocks with laughter.

Eden Espinosa, Thatcher Jacobs, and Max von Essen

Handsome, seductive Whizzer sings “Marvin at the Psychiatrist (A Three Part Mini-Opera)” making rich fun of his lover’s visits to Mendel the psychiatrist (funny, leaping Nick Blaemire).

But Mendel develops a crush on Trina, and shamelessly sings, “Does she sleep in the nude?” endearing in his innocence. Gay or straight, secrets tumble out in rule-breaking and unique songs and dances.

Thatcher Jacobs and Nick Blaemire

Marvin continuously moves the pieces of his family, friends, and lovers to protect himself. He wants Whizzer to act like a conventional housewife—but that won’t happen!

Trina’s song “I’m Breaking Down” pays brilliant tribute to neurotic urges just below the veneer of conformity. In the kitchen, Espinosa depicts an insulted woman chopping carrots and bananas. We laugh out loud as she slices up phallic objects with gusto.

We love the paradoxical wit of family and friends who break down the rigid rules of 80s Reagan America. You will love the generous “Lesbians Next Door”: Dr. Charlotte (elegant Bryonha Marie Parham) and Cordelia (graceful Audrey Cardwell). They bring joy to the shattered family—in the midst of the AIDS crisis, which Reagan spent years denying.

Audrey Cardwell and Bryonha Marie Parham

Through their struggles, Marvin and Whizzer become more than lovers. When sickness strikes, their love shines with moving lyrics: “Who would I be without you?” “Falsettos” explains the power of love to transcend rejection with “Welcome to Falsettoland.”

We get a picture of what life can be like if we focus on each other, if we give up falsetto and reveal ourselves–women, men, children alike. These brilliant rejected people have done it—why not us? A show that inspires as it makes us laugh.

Nick Adams,
Thatcher Jacobs
Nick Blaemire
Eden Espinosa
Max von Essen
Nick Blaemire and Max von Essen
Max von Essen and Nick Adams
Thatcher Jacobs and Max von Essen
Eden Espinosa and Nick Blaemire

Photos by Joan Marcus

“Falsettos”—music & lyrics by William Finn, book by William Finn & James Lapine, directed by James Lapine, at SHN, Golden Gate Theatre, San Francisco, through Sunday, April 14, 2019. Info: shnsf.com

Cast: Max Von Essen, Thatcher Jacobs / Jonah Mussolino, Nick Adams, Nick Blaemire, Eden Espinosa, Bryonha Marie Parham, and Audrey Cardwell.

Sign up for FREE reviews
in your mailbox.

Check your inbox or spam folder to confirm your subscription.


Dance, Musical, Plays
1980s, AIDS, Bar Mitzvah, comedy, Dance, Family, gay, homophobia, Jewish, love, music, New York City, songs, straight, U.S.

Post navigation

NEXT
“The Mushroom Cure”—A Raucous, Deep Dive into OCD, at The Marsh, S.F.
PREVIOUS
“Sojourn” Takes Us to Unexpected Places, at Pear, Mountain View
Comments are closed.

Current Shows

  • “Hamlet” Highlights Corruption in Surveillance State—at SPARC
  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino
  • “Absolutely Science Fiction!” Blasts Off with Strangely Familiar Futures—at Z Space
  • “The Fre” Shows Conformity at Its Most Foolish—at OTP
  • “Arab Spring” Wrestles with Tradition vs. Modernity—at Golden Thread
  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Romeo & Juliet” Illuminates Personal & Political Connections—at The Public
  • “A Few Good Men” Engages in Hard Struggle for Truth—at Royal Underground
  • “Tiny Beautiful Things” Reveals Healing Power of Listening Deeply—at Town Hall
  • “Flight Risk” Offers a Master Class in Empathy—at The Marsh
  • “Girl, Interrupted” Exposes Machinery of Madness—at The Public
  • “The Lunchbox” A Musical Triumph Over Loneliness—at Berkeley Rep
  • “The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP
  • “Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse
  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Sign up for FREE reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.