Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

“Once” Sparks Musical Magic, at 42nd St. Moon, S.F.

“Once” Sparks Musical Magic, at 42nd St. Moon, S.F.

June 25, 2019 Cynthia Lopez

Hansard & Irglová Transcend Familiar Love

by Cynthia K. Lopez

“Once,” the award-winning musical, reminds us of the unique ability of music to attract and inspire love. In “Once,” an Irish vacuum cleaner repairman and a Czech immigrant connect over their love for songs, and creativity bursts forth.

Dublin native and talented street musician Guy (emotional Corbin Mayer) has hit bottom, ready to give up his dreams of a musical career. Guy works in his dad’s Dublin repair shop, but he dreams of making songs. His girlfriend left for New York, leaving him lonely and forlorn.

Girl (irrepressible Olivia Clari Nice), a brilliant pianist and surprisingly optimistic Czech immigrant, is drawn to Guy’s haunting folk melodies and powerful, evocative lyrics. She lives in poverty, with her mother and school-aged daughter, among other Czechs in Dublin.

Olivia Clari Nice

When Girl brings in her Hoover, she and Guy connect over their mutual passion for music. Girl introduces Guy to the Czechs who gather in a music shop to play unsold instruments. In an amazing five days, they create a demo tape, and begin to fall for each other, of  course.

In 2006, “Once,” a low-budget indie film, won attention and awards at the Sundance Festival. The sweet, fairy-tale love story exposes harsh realities of the immigrant experience. Girl says, “We all have accents, we’re people of the world.” When they perform together, they become a singular voice, accents and birthplaces be damned.

In their Oscar-winning song, “Falling Slowly,” we learn about their budding international romance. He sings, “I don’t know you, but I want you, all the more for that.” Their moving melody, sung as a duet, makes fond memories.  “Falling Slowly,” a unique Irish-Czech folk tune, has a melody that soars and dips multiple octaves.  As we ride the song’s emotions, it enchants and intrigues.

Cindy Goldfield directs, choreographs, and even costumes the production. The versatile actors play  multiple instruments onstage—including violin, cello, mandolin, and box drum. By simply moving around tables, a piano and a few chairs in the one-scene set, we’re transported to a homey Dublin pub, then the music store, and finally, a recording studio.

“Once” reminds us that a chance meeting can be life changing, even if the relationship doesn’t last. The change depends on our desire and ability to go beyond ourselves. When we seek a better life, we gather the will to overcome rejection and fear, bravely.

“Once” –book by Enda Walsh, music & lyrics by Glen Hansard & Markéta Irglová, directed by Cindy Goldfield, by 42nd St. Moon, at Gateway Theater, San Francisco, through Sunday, June 30, 2019. Info: 42ndstmoon.org

Cast: Emma Berman, Myra Chachkin, Corbin Mayer, Matt Davis, Ben Euphrat, Devin Renee Kelly, Brady Morales-Woolery, Ariela Morgenstern, Bryan Munar, Olivia Clari Nice, Cristina Owens, Rob Ready, Colin Thomson, Brady Morales-Woolery, and Lucy Swinson.

Sign up for FREE reviews
in your mailbox.

Check your inbox or spam folder to confirm your subscription.


Musical

Post navigation

NEXT
“The Fit”—A Struggling Stew of Tech Types, at S.F. Playhouse
PREVIOUS
“Oedipus El Rey”—A California Twist to Greek Tragedy, at Magic Theatre, S.F.
Comments are closed.

Current Shows

  • “Hamlet” Highlights Corruption in Surveillance State—at SPARC
  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino
  • “Absolutely Science Fiction!” Blasts Off with Strangely Familiar Futures—at Z Space
  • “The Fre” Shows Conformity at Its Most Foolish—at OTP
  • “Arab Spring” Wrestles with Tradition vs. Modernity—at Golden Thread
  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Romeo & Juliet” Illuminates Personal & Political Connections—at The Public
  • “A Few Good Men” Engages in Hard Struggle for Truth—at Royal Underground
  • “Tiny Beautiful Things” Reveals Healing Power of Listening Deeply—at Town Hall
  • “Flight Risk” Offers a Master Class in Empathy—at The Marsh
  • “Girl, Interrupted” Exposes Machinery of Madness—at The Public
  • “The Lunchbox” A Musical Triumph Over Loneliness—at Berkeley Rep
  • “The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP
  • “Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse
  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Sign up for FREE reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.