Theatrius
  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius

Theater Reviews – San Francisco and Beyond

Amy Oppenheimer
“Looking for Justice” Trailblazing Feminist Judge Tells Shocking Tales—at The Marsh

“Looking for Justice” Trailblazing Feminist Judge Tells Shocking Tales—at The Marsh

March 7, 2026 Robert M. Gardner

Amy Oppenheimer’s Amazing Journey Reveals Women’s Rocky Path

by Robert M. Gardner‍ ‍

Amy Oppenheimer’s candid performance at the Marsh in Berkeley powerfully recounts her transformation from a wild hippie to a committed lesbian, lawyer, and judge. Her calm honesty strikes us as she recounts her decades of dawning awareness. Her show is lovingly called: “Looking for Justice (In All the Wrong Places).”

Oppenheimer, a petite woman, has a wry sense of humor and has no problem poking fun at herself. But her message is serious and deeply self-reflective. She identifies as a lesbian feminist, a realization that came to her slowly.

Oppenheimer started to realize that she enjoyed spending time with women more than she did with her boyfriends. We are privileged to listen in and learn about her evolution from a heterosexual hippie to a proud, fully committed lesbian.

 Justice and Amy
Justice and Amy

She becomes a mother of two adopted biracial children and a champion for sexual justice.

A botched rape trial involving a friend becomes her motivation for a life dedicated to seeking justice. The funny, personal court trial inspires Amy to go to law school because she sees firsthand the injustice for both the survivor and the perpetrator.

The shocking case spurs her to go to school and then become an administrative judge. She transforms herself into an advocate for legal protections against sexual violence in schools and workplaces—a wonderful and unexpected journey. She plays a role in the “Take Back the Night” and “Restorative Justice” movements—telling incredible stories of the law’s resistance to change and how to jiu-jitsu the law.

When I was a college professor, I saw the positive effects on the campus with our first “Take Back the Night” events. Too often in our patriarchal society, women suffer in silence, and their perpetrator not at all. Amy shows us both sides of the law—for women and for men.

As the mother of a Black son, Amy is forced to deal firsthand with the racism that he endures daily. Her stories of defending her son in stores and schools shed new light on the life around us. In our present political crisis, we fear for the future of the many advances made by brave women like Amy. Where does she go from here?

Amy Oppenheimer. Photo by Scott Marcus

There are opportunities after each of her shows to discuss other issues dealing with sexual violence and women’s rights. Oppenheimer shows that justice gives voices to victims. And second chances to perpetrators, too.

In closing, Oppenheimer voices a bittersweet observation: “Can we really find justice in an unjust world?”  I’ve often wondered how we can ever achieve sexual equality when women and men are biologically wired so differently.

In today’s political turmoil, her work becomes more important than ever if we are going to make the workplace and schools safe and welcoming for everyone. Kudos to Amy Oppenheimer for speaking out and changing all our lives. Her show is charming, fun, and revealing.

 

“Looking for Justice (In All the Wrong Places)” –written & performed by Amy Oppenheimer, directed by David Ford, performance coaching by Julia McNeal, and tech by Sid Zhang, at The Marsh, Berkeley.

Info: themarsh.org – Sundays at 5:00 pm – to March 29, 2026.

Cast: Amy Oppenheimer (as herself).

Banner photo: Amy Oppenheimer

Sign up for FREE reviews
in your mailbox.

Check your inbox or spam folder to confirm your subscription.


Plays

Post navigation

NEXT
“Primary Trust” Comically Conjures Heroic Helpers—at TheatreWorks
PREVIOUS
“After Happy” Climate Warriors Challenge ‘Family’ Oil Corp—at Central Works
Comments are closed.

Current Shows

  • “Orpheus Descending” Exposes Southern Bigotry & Cruelty—at OTP
  • “The Prince Part 2” Unfolds Trickery & Lies in Machiavelli’s Florence—at Central Works
  • “Urinetown” Elevates Musical Satire with Flawless Production—at Ray of Light
  • “Iphigenia in Splott” Spotlights Alicia Mason in Stellar Role—at Shotgun
  • “Present Laughter” Exposes Arrogance & Privilege—at Orinda
  • “Little BIG Mouth” Pays Tribute to Women Artists—at The Marsh
  • “The Prince” Pits Power-Crazed Duke vs. Mad Monk—at Central Works
  • “Hairspray” A Campy Antidote to White Supremacy—at SF Playhouse
  • “The Bumpy Road Less Traveled” Exposes School-to-Prison Pipeline—at The Marsh
  • “Employee Dharma Handbook” Exposes Corporate Caste Secrets—at TheatreWorks
  • “Going to St. Ives” Where the Black Theater Movement Tackles Colonialism—at LBP
  • “Scabmuggers” Empowers with Lessons in Courage—at The Freight
  • “Hamlet” Highlights Corruption in Surveillance State—at SPARC
  • “Goat Blood” Conjures Mixture of Race, Lust, & Demons—at Rhino
  • “Absolutely Science Fiction!” Blasts Off with Strangely Familiar Futures—at Z Space

Menu

  • NOW PLAYING
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

Sign up for FREE reviews!

Check your inbox or spam folder to confirm your subscription.

© 2026   All Rights Reserved.