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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Barry David Horwitz

Posts by Barry David Horwitz

Eye-Catching “Caught” at Shotgun Players, Berkeley

Eye-Catching “Caught” at Shotgun Players, Berkeley

September 15, 2016 Barry David Horwitz

Chen Disturbs the Personal, Loves the Political by Barry David Horwitz On the way to an art show, you may stumble across great drama. How long is it since an art work or a play caught you, confounded you, contradicted itself, and confessed to not knowing? These are some of the forbidden territories that…

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“You Never Can Tell” Tells ALL about US

“You Never Can Tell” Tells ALL about US

August 23, 2016 Barry David Horwitz

Cal Shakes Shakes Up Shaw by Barry David Horwitz Director Lisa Peterson has unfurled an early, hilarious Shaw comedy that forecasts the 20th Century and beyond. “You Never Can Tell” (1896) already displays the racial, colonial, gender, and feminist questions that inspire and confound us still. To put all that into such an early…

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“The Thrush & the Woodpecker” at Custom Made, S.F.

“The Thrush & the Woodpecker” at Custom Made, S.F.

August 11, 2016 Barry David Horwitz

‘The Fire Next Time’ in New Thriller by Barry David Horwitz “The Thrush and the Woodpecker” at Custom Made Theater features three gripping performances by three superb actors. For that reason alone, you ought to see it. Brenda Hendriks (the crystalline, elegant Stacy Ross) is a tightly wound and moody mother, who rules her…

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Review: “Campo Maldito” by Bennett Fisher at Exit Theater

Review: “Campo Maldito” by Bennett Fisher at Exit Theater

August 4, 2016 Barry David Horwitz

Waiting for Gentrification in the Tenderloin by Barry David Horwitz Plays about housing, gentrification, and exploitation of poor people are beginning to populate local stages. The Bernie Revolution is coming home and the arts are reflecting our discontent with “business as usual.” At the Exit Theater, the exhilarating “Campo Maldito” is set in the…

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Current Shows

  • “A Case for the Existence of God” Finds Spirit in Surprising Friendship—at NCTC
  • “Liberation” Highlights Struggle for Women’s Equality—at Berkeley Rep
  • “The Curious Case of Benjamin Button” Runs Life in Reverse with Heart—at The Public
  • “Every Saturday Night” Recalls My Childhood in the Fillmore—at ACT
  • “The Secret in the Wings” Uncovers Hidden Meanings in Familiar Tales—at Lunatico
  • “The Brothers Size” A Moving Meditation on Brotherly Love—at AASC
  • “Assimilation” Satirizes Dueling American Dreams—at Word for Word
  • “Every Saturday Night” Celebrates Fillmore’s Vibrant Black Legacy—at ACT, The Strand
  • “Death of a Salesman” Masterfully Unmasks American Illusions—at Ross Valley
  • “Good Time Charlie” Portrays Gay Generations with Wit & Charm—at The Public
  • “The Fall Show” Mixes Music, Movement, Magritte into Magic—at Shotgun
  • “Peter Pan Goes Wrong” Shows How Failure Can Win—at SF Playhouse
  • “King Lear” Unmasks Performative Politics—OTP @Z Space
  • VOTE YES on Y–Protect Berkeley’s Arts!
  • “Alfred Hitchcock’s North by Northwest” A Campy Exposé of Global Trickery—at ACT

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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