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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Jennifer Charron

Posts by Jennifer Charron

“Antony & Cleopatra” Radiates Ambition in World Premiere—at SF Opera

“Antony & Cleopatra” Radiates Ambition in World Premiere—at SF Opera

September 18, 2022 Jennifer Charron

John Adams Delivers Jam-Packed Journey into Empire by Jennifer Ann Charron Commissioned for San Francisco Opera’s Centennial Season, John Adams goes above and beyond with “Antony and Cleopatra”—an ambitious work of art with a world-renowned cast, a complicated and brilliant score, and the world-class staging that SF Opera does best. While Adams’ new work…

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“Ariane & Bluebeard”: A Harmonic & Opulent Opera—at West Edge

“Ariane & Bluebeard”: A Harmonic & Opulent Opera—at West Edge

July 26, 2022 Jennifer Charron

Paul Dukas’ Opera, Directed by Alison Pogorelc, Asserts Women’s Wisdom by Jennifer Ann Charron Beginning with Paul Dukas’ lush opera, director Alison Pogorelc delivers a gorgeous and deeply clever production—imparting her own interpretation, as well as allowing us room to choose our own. Pogorelc’s unique talent challenges us to engage—desperately needed in today’s operas….

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“Dream of the Red Chamber” Wins a Place in Operatic Canon—at SF Opera

“Dream of the Red Chamber” Wins a Place in Operatic Canon—at SF Opera

June 16, 2022 Jennifer Charron

Bright Sheng—A Brilliant, Innovative Composer for Our Time by Jennifer Ann Charron Bright Sheng’s score of Dream of the Red Chamber is one of the most dynamic, yet sumptuous pieces of music I have heard. He blends western and eastern musical traditions and sounds in innovative ways. Chinese folk tunes morph into lush, multi-dimensional…

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“Don Giovanni” Carries the Night in New Production—at SF Opera

“Don Giovanni” Carries the Night in New Production—at SF Opera

June 13, 2022 Jennifer Charron

Michael Cavanagh’s Reimagined Version Entertains & Bewilders by Jennifer Ann Charron Mozart’s Don Giovanni is nonpareil—a masterpiece with an amazing score, jam packed with beautiful arias, duets, and recitatives, and a creepy cautionary tale to keep your morals in check. When Mozart was at his creative height, he collaborated with poet Lorenzo Da Ponte…

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  • “Flight Risk” Offers a Master Class in Empathy—at The Marsh
  • “Girl, Interrupted” Exposes Machinery of Madness—at The Public

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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