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Theatrius

Theater Reviews – San Francisco and Beyond

Author

Jennifer Charron

Posts by Jennifer Charron

“Going Out”: Humorous & Heartfelt Memories thru a COVID Lens—at The Marsh

“Going Out”: Humorous & Heartfelt Memories thru a COVID Lens—at The Marsh

May 16, 2022 Jennifer Charron

Don Reed’s Wit & Brilliance Charm Hometown Crowd by Jennifer Ann Charron Don Reed truly does it all. Star of TV and film, he writes, acts, produces, directs, and does standup comedy—all with great presence and indisputable warmth. His solo show at The Marsh, San Francisco called “Going Out” is simply sidesplitting: Reed’s grace…

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“The Incrementalist”—A Tender, Illuminating View of Compromise—at Aurora

“The Incrementalist”—A Tender, Illuminating View of Compromise—at Aurora

April 23, 2022 Jennifer Charron

Cleavon Smith Debates the Ways and Means of Racial Progress by Jennifer Ann Charron Students rally frequently at UC Berkeley’s Sproul Plaza. During protests, University Police are often called to seal off buildings and to “protect” people and property. All too often police clash with impassioned students in predictable outcomes. Playwright Cleavon Smith wisely…

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“The Tempest”: The Perfect Play for Today’s Headlines—at OTP

“The Tempest”: The Perfect Play for Today’s Headlines—at OTP

March 3, 2022 Jennifer Charron

Michael Socrates Moran Grapples with Ruthless Autocrat by Jennifer Ann Charron I’m always drawn to Oakland Theater Project productions. The entire team typically overflows with talent and intelligence, bringing a cultural sensitivity to everything they do. Each production is spot on with the issues and emotions of the present day. OTP’s production of Shakespeare’s…

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“Così fan tutte” Has It All! —at S.F. Opera

“Così fan tutte” Has It All! —at S.F. Opera

December 8, 2021 Jennifer Charron

Michael Cavanagh Delivers the Miraculous Essence of Mozart by Jennifer Ann Charron San FRancisco Opera’s production of Mozart’s “Così fan tutte” (All Women Do It, or The School for Lovers) is one the most efficiently fabulous operas I’ve seen. Director Michael Cavanagh showcases the best opera has to offer, all wrapped up in a…

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Current Shows

  • “Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT
  • “Come From Away”: A Layover Arouses Humanity—at TheatreWorks
  • “How to Make an American Son”: Hard-Working Dad vs. His Privileged Son—at NCTC
  • “Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP
  • “The Monsters”: An Intense Sibling Love Story—at Berkeley Rep
  • “Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse
  • “The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun
  • “Public Charge” Proves Diplomacy Is Difficult & Worth Pursuing—at The Public
  • “Macbeth” Updated to 70s New York, A Vital New Vision—at Magic
  • “Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh
  • “Assassins” Reveals What Triggers Alienated Americans—at OTP
  • “||:Girls:||:Chance:||:Music:||” Celebrates Young Women Coming Up—at ACT
  • “Jesa”: Sisters’ Reunion Goes Inevitably Awry—at The Public
  • “Gods & Monsters” Evokes Tragedy & Laughter in Gay Hollywood Life—at NCTC
  • “Takes All Kinds” Celebrates US, with Wit & Wisdom—at The Marsh

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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