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Theater Reviews – San Francisco and Beyond

“Measure for Measure” Highlights Top Talent, at Marin Shakes

“Measure for Measure” Highlights Top Talent, at Marin Shakes

July 3, 2019 Barry David Horwitz

Shakespeare’s Dark Comedy Illuminates #MeToo, #Resist

by Barry David Horwitz

At Marin Shakespeare Company, a rich complement of fine comic actors bring on the fun in “Measure for Measure,” a tragi-comedy.

First, we admire the two magnificent ancient towers flanking the vast outdoor stage. Then, we admire the lovely Tudor brickwork that swings out to reveal offices at one end, and a prison at the other. Finally, we realize that Director Robert Currier is presenting us with two separate worlds to ponder—the one per-centers’ world versus the prisoners’ world.

The rulers run a vengeful injustice system that puts innocents in cages. The prison world is inspired by Marin Shakes’ work at near-by San Quentin.  In his bare office, Duke Vincentio (droll, hyper Patrick Russell) decides to leave his sinful city. Vincentio appoints his Deputy Angelo to replace him because he will be a tough, ‘hanging’ judge.

The new judge, buttoned-down Angelo (chilling Joseph Patrick O’Malley), orders that the suburban brothels be pulled down, but he spares his cronies’ city brothels! Holy Angelo will go to extremes to fulfill his Boss’s plan.

Joseph Patrick O’Malley (Angelo) & Patrick Russell (Duke Vincentio). Photos by Jay Yamada

In this tyrannical male-dominated system, Angelo grabs for power eagerly, a Puritan-in-Waiting. He is horribly eager to chop off the head of sympathetic young Claudio (heart-warming Brennan Pickman-Thoon) just because he got his fiancée pregnant!

As Claudio, Pickman-Thoon creates a touching young man unjustly accused—victim of a dire penal system, like our own. In this case, the older ruler punishes the young and virile by enforcing extreme, inhumane laws. Claudio moves us deeply; and Angelo embodies the petty Pence and vengeful t-Rump. In his cell, and in his orange prison-for-profit jump suit, Pickman-Thoon radiates honesty—as he debates with his sister Isabella (down to earth Luisa Frasconi) over his coming execution.

Brennan Pickman-Thoon (Claudio)

For witty comedy, Lucio the local playboy and pimp (lively, funny Ariel Zuckerman) wears a pork-pie hat, and fearlessly faces down the outdated, vengeful laws. Lucio bounces all over the stage, insulting everyone.  Lucio fights back #Resist—with bold jokes, asserting the people’s rights.

Ariel Zuckerman (Lucio) & Patrick Russell (Duke Vincentio)

Suburban gig-worker Pompey, part-time pimp and barkeep (lightning-fast Ed Berkeley) unfolds his brash street-lingo, easily outflanking the silly, pompous police. As Pompey, Berkeley powerfully commands attention, and stands up for working folks. Pompey delivers delight and joy, making the theater intimate and personal—Bravo, Berkeley!

Ed Berkeley (Pompey)

Isabelle Grimm plays a wonderful, rude, Valley Girl called Mistress Overdone—“Overdone by the last (husband)”—inspiring wild laughter.

The Curriers’ work with prisoners remind us that lives can be redeemed. Even Isabella, a novice nun, leaves her convent to beg Angelo to reverse her brother’s death sentence. She sharply confronts Deputy Angelo, while the nuns carry #MeToo signs reading: “Christine & Anita Told the Truth!”

Isabelle Grimm (Mistress Overdone)

Ironcially, Angelo is inflamed by Isabella’s pleas for her brother. O’Malley delivers Angelo’s self-serving lines, brilliantly:

O cunning enemy, that, to catch a saint
With saints dost bait thy hook! Most dangerous
Is that temptation that doth goad us on
To sin in loving virtue.
(II, 2, 179-182)

Very Harvey Weinstein!

I recommend “Measure for Measure,” a dark comedy fitted for our corrupt and contemptuous time. So many profound and touching speeches on hypocrisy, religion, equality, and love—we all can find our sweet spots in this updated Shakespeare treat.

Photos by Jay Yamada

“Measure for Measure” by William Shakespeare, directed by Robert S. Currier, at Marin Shakespeare Company, San Rafael, California, through Sunday, July 21, 2019. Info: marinshakespeare.org

Cast: Patrick Russell, Steve Price, Joseph Patrick O’Malley, Ariel Zuckerman, Isabelle Grimm, Ed Berkeley, Brennan Pickman-Thoon, Glenn Havlan, Neil Thollander, Luisa Frasconi, LeMar “Maverick” Harrison, Julia Saunders, Alexander “Tut” Gregory, Rachael Goldsmith Zucker, Cassandra Anderson, Kyle Ryan, Casey Anne Apregan, Emily Stevens, and Amy Stringer.

Banner photo: Luisa Frasconi (Isabella) & Brennan Pickman-Thoon (Claudio).

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Plays
Civil Rights, comedy, exploitation, feminism, friendship, inequality, justice, love, marriage, patriarchy, poverty, power, prison reform, religion, San Quentin, Satire, sex, Shakespeare, social class, Women's Rights, workers

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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